Paul Stanley (Stanley Bert Eisen) Quotes
Quotes to Explore
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I found that not having a public profile was not hurting the work, and it freed me up to be the satirist I wanted to be.
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He who rejects change is the architect of decay. The only human institution which rejects progress is the cemetery.
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I am responsible. Although I may not be able to prevent the worst from happening, I am responsible for my attitude toward the inevitable misfortunes that darken life.
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I hate the giving of the hand unless the whole man accompanies it.
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I'm very, very sensitive to pain and to people who suffer.
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All of life is a foreign country.
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There's always hurdles. So I just keep moving, just constantly redefining myself. That's how you stay in the race.
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To swear, except when necessary, is becoming to an honorable man.
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I'd love to make a thriller.
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When I was in fourth grade, a novelist came to talk to my English class. She told us that being an author meant sitting at the kitchen table in pajamas, drinking tea with the dogs at your feet.
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I just like seeing the world, and it doesn't matter where.
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Whatever is not commonly seen is condemned as alien.
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A person who has sympathy for mankind in the lump, faith in its future progress, and desire to serve the great cause of this progress, should be called not a humanist, but a humanitarian, and his creed may be designated as humanitarianism.
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People who really try to be conscious of what they have done, who take responsibility, to me these kinds of people are heroes.
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I don't want to talk in terms of miracles. I think this is a very serious situation. But I do want to talk in terms of Bush becoming a man of the hour, and I think this is way to do it.
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Lying in the political sphere has gotten out of hand, and because people tend to dismiss things that challenge their preconceived notions of the world, fact checkers can only play a small part in remedying the problem.
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I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
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I read somewhere once that in the 1960s, fiction writers were troubled by the notion that life was becoming stranger and more sensational than made-up stories could ever hope to be. Our new problem - more profound, I think - is that life no longer resembles a story. Events intersect but don't progress. People interact but don't make contact.
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I've always had a bazillion songs in my archive, but I want to play people stuff they know. Now that I have two albums' worth of material, that gives me freedom to compose a set that's more well-balanced and build a show rather than just a recital of some songs.
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The idea of doing something that you've seen a thousand times before doesn't appeal to me.
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Credibility is someone else's idea of what I should be doing.
