Melissa Bank Quotes
With so much sky and so much river, you couldn't help seeing the big picture. It was what you already knew, but crowding into the subway or rushing to a movie, you only saw it for a second, and close up. Now I took a good long look. I'd always heard you couldn't see stars in Manhattan because of all the lights. But here they all were. Here was my night in shining armor.
Quotes to Explore
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Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.
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I am not influenced by the techniques or fashions of any other motion picture company.
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The incentive for digging up gossip has become so great that people will break the law for the opportunity to take that picture. Then it crosses the line into invasion of privacy. The thing that's really bad about it, though, is that the tabloids don't tell the truth.
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There's more to life than being an actor in a Hollywood movie. I'm not going to adapt my life after that existence, where a lot of people do. And they get the publicist, and they get all that stuff, and it becomes them. I think it's a stupid way to live your life. A really dumb way to live your life.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.
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To ancient Chinese fancy, the Milky Way was a luminous river, - the River of Heaven, - the Silver Stream.
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Nobody will ever notice that. Filmmaking is not about the tiny details. It's about the big picture.
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For a movie, you have to make sure the lyrics are consistent with the rhythm that is given to you. But, at times, during the song's recording, you find out that your words are not appropriate for the track, and so you have to change them.
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I couldn't spell anything. I couldn't remember anything, but I could go to a movie and I knew who starred in it, who directed it, everything.
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It is true that some people are interested in the buying part of things... They want to buy everything from the movie reviews to the media net to the opinions and so on.
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Even my parents are so cute, and they deal with every movie of mine excellently. They check with me ever so casually by asking 'Now how much of nudity are we going to see in this one?'
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Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul.
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I always wanted to do a Disney movie.
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I would never try and do a remake off a movie. I think that's a whole different thing. I think everyone will always remember the first movie, and they will always compare it with the second one.
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When I stepped out into the bright sunlight from the darkness of the movie house, I had only two things on my mind: Paul Newman and a ride home.
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When your in the movie business you have a start date and a stop date.
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Almost inevitably there are tensions in the picture, tensions between the outside world and the inside world. For me, a successful picture resolves these tensions without eliminating them.
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Life is like crossing a river. If you take a huge step-aim for too bigger dreams-then the current will knock you off your feet and carry you away. The way to do it is small steps, you will take hold of life. You will get there in the end.
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No one blames themselves if they don't understand a cartoon, as they might with a painting or 'real' art; they simply think it's a bad cartoon.
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I'm certainly not one of those actors who remain in a dark place the entire time in order to be doing the scene. I sort of come in and out of it. It can be to the detriment of my performance sometimes!
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Every single note on this album is there for a reason.
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I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.
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With so much sky and so much river, you couldn't help seeing the big picture. It was what you already knew, but crowding into the subway or rushing to a movie, you only saw it for a second, and close up. Now I took a good long look. I'd always heard you couldn't see stars in Manhattan because of all the lights. But here they all were. Here was my night in shining armor.
