Haaz Sleiman Quotes
Whatever it is that you are doing as an actor, if it frightens you, if you're scared of it, you need to do it.

Quotes to Explore
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The life of an actor is very hard irrespective of the continent you are in. It is doubly hard when you are only eligible for minority roles.
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I have an older brother who is an actor as well.
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If you want a bourgeois existence, you shouldn't be an actor. You're in the wrong profession.
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My favorite thing about being an actor is that I get to be so many different people in one lifetime. You sort of get to be all of these different characters.
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I've grown so much, not just as an actor, but as a human being.
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After I directed, when I went back to being an actor, I was like, 'God, this is the life!' Because you only have to concentrate on one thing.
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I'm not partial to any system, but at the same time, I'm a Korean actor, so I expect to work mainly on Korean projects.
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If Chevy Chase had not been an actor, he might have been a very popular guy in advertising, or whatever field he would have gone into, because of his charisma.
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It was never my goal to be an actor.
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You can always tell an actor by the bored look in their eye whenever someone else is talking.
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Musical types tend to combine the burden of the author with the burden of the actor.
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I'm not an acting monk or anything. I'm not, like, the most well-adjusted actor.
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While growing up in Baltimore, Maryland, I dreamed of becoming many things: an archaeologist, an ambassador, an actor, an author.
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If I'd had the choice when I was 14, and someone had said to me, 'You can either be a footballer or an actor,' I'd have said: 'Well, can't I be a footballing actor?'
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Rumours are a part and parcel of being an actor, and I am okay with that.
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I kind of knew it wasn't going to be until my 30s that I really hit my stride as an actor.
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Every actor has to love and loathe the character he plays.
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Most of the early part of an actor's career, you do the jobs you get.
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I'm just an actor. I am nothing special.
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After becoming an actor, it's the privacy that I miss.
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Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
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My flat in Ladbroke Grove, west London, is in the best building in the world. It's like a commune - everyone gets on - and on Friday evenings I often cook us all dinner.
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It was the smile which runs before a promise.
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Whatever it is that you are doing as an actor, if it frightens you, if you're scared of it, you need to do it.