Haaz Sleiman Quotes
I don't know exactly what kind of training musical theater actors get, but I never had that.
Quotes to Explore
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And I mean I never doubt anybody's record.
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Catholic schools in Indonesia routinely accept non-Catholic students, but exempt them from studying religion. Obama's school documents, though, wrongly list him as being Indonesian.
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My whole life is a theater piece.
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Size has nothing to do with literature. All legs are long enough to touch the ground, and all books are big enough to fill their covers.
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Well, I'm a Christian. I was a born a Presbyterian and became an Episcopalian.
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One of the ways we women often handicap ourselves is thinking that once we've made a decision or a commitment, we can't change.
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I just hate losing and that gives you an extra determination to work harder.
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The American dream seems to be thriving in Europe not at home.
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I do believe, whenever this is all said and done, we won't talk about Mickey Gall, the guy that beat CM Punk; we'll just talk about Mickey Gall, the guy who is a top 10 fighter, a good welterweight or maybe a great welterweight.
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A musician cannot move others unless he too is moved. He must of necessity feel all of the affects that he hopes to arouse in his audience, for the revealing of his own humour will stimulate a like humour in the listener.
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Within this widest concept of object, and specifically within the concept of individual object, Objects and phenomena stand in contrast with each other.
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There's an absolute surety to the hands-on conservation lifestyle of hunting, fishing and trapping where you know you're going to consume today.
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Doctrine tied itself into infinite knots over the realities of sex.
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Call a jack a jack. Call a spade a spade. But always call a whore a lady. Their lives are hard enough, and it never hurts to be polite.
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Restaurants with small courses that give the customer choices, and that don't obligate them to spend a fortune, are going to do very well.
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It is very important not to mistake hemlock for parsley, but to believe or not believe in God is not important at all.
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In 'Waiting for Guffman,' the character I played, the Corky character, he's very serious about what he does, and it's not meant to be mean that this is a small town and these people aren't the most talented people. They're trying the best they can. So to be mean, that would be kind of horrifying in its superficiality.
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When you're so consistent, people have to stand up and take notice. I don't think people recognise or praise consistency enough.
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Yes, Heaven is thine; but thisIs a world of sweets and sours;Our flowers are merely-flowers.
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It's an artist's choice to listen to criticism or not. I'm very sensitive to criticism.
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Jarrett would be easier to take if he cared half as much about children’s bodies and minds as he pretends to care about their souls.
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When I write, I'm constantly putting myself in the position of someone else as I write using myriad voices; I think that's a life skill all people should learn.
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I don't know exactly what kind of training musical theater actors get, but I never had that.
