Paul Downs Colaizzo Quotes
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I think the hardest thing I've had to learn is that just because people might speak a certain way in real life doesn't mean it's engaging in the theater.
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The South has a way of worshipping appearances - the suburbs are all about presentation and amazing flowers and a beautiful yard and dinner parties that impress people and having the Christmas lights just right.
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I never leave a piece of theater that I love and say, 'That was a good point; They made a good point.' I leave, and I feel something.
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Going on unemployment was a total low point for me, but it was also the point when I promised myself I'd write every day from 9 to 5. I tried to make the most out of every situation that came along.
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I'd say there are two kinds of theater: one you end with an answer, one you end with a question.
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A lot of us are secretly scared, for whatever reason, and so we get in our own way. But if you really want something, you have to ask for it.
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There's so much to argue about. That was the goal with 'Really Really.' Somebody asked me once, 'How should I feel when I leave?' and I said, 'Hopefully, you're talkative.' I don't really care if you're happy or sad or loved it or hated it or hate me. The goal is that you have something to say, that you have a response.
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People in their early 20s are not often considered the target demographic for new plays; musicals have had much more success in exploring that coming-of-age period of life.