Paul Downs Colaizzo Quotes
I'd say there are two kinds of theater: one you end with an answer, one you end with a question.
Quotes to Explore
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Smarter is always the answer.
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I've found that musical theater is my passion.
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GM has never been about feeding the world or tackling environmental problems. It is and has always been about control of the global food economy by a tiny handful of giant corporations. It's not wicked to question that process. It is wicked not to.
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I'm a total loner. I can't even answer texts or take my phone with me when I'm working!
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When you're first reading the script and thinking about playing the part, it's slightly daunting. It's easy to question, 'Is an audience going to like me? And is that my job?'
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I think once you're in the public eye, whether you're a boss, a teacher or whatever you do, that you're automatically in the position of role model. You have people looking up to you, so whether you choose to accept it or not is a different question.
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I became very interested in the Islamic question, and thought I would try to understand it from the roots, ask very simple questions and somehow make a narrative of that discovery.
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I was a total theater geek in high school, no question. I was cast in 'Godspell' freshman year - with Vanessa Williams, by the way. She and I are still friends. We went to high school together.
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I had all the normal interests - I played basketball and I headed the school paper. But I also developed very early a great love for music and literature and the theater.
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I will not take 'but' for an answer.
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That's a part that's always a challenge for athletes: trying to keep the passion alive while knowing it's still your job. There's no question that at some point, probably sooner rather than later, I'll be pretty burned out. And when that time comes, then I'll take a step back and take a look at it and see if I want to keep going.
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They could see she was a real Princess and no question about it, now that she had felt one pea all the way through twenty mattresses and twenty more feather beds. Nobody but a Princess could be so delicate.
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The question tonight, as I understand it, is 'The Negro Revolt, and Where Do We Go From Here?' or What Next?' In my little humble way of understanding it, it points toward either the ballot or the bullet.
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The question I propose to consider is in what way one may justify the study of English on cultural and disciplinary, and not merely on sentimental or utilitarian, grounds. My own conviction is that if English is to be thus justified it must be primarily by what I am terming the discipline of ideas.
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What you want if you're asking that question is a specific time in your life to come back to you, and that will never happen. You will never be 15 years old again. I could write, verbatim, another Take This To Your Grave, and you won't feel the same way. It's not going to mean anything to you because it wouldn't mean anything to me.
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'It's the questions we can't answer that teach us the most. They teach us how to think. If you give a man an answer, all he gains is a little fact. But give him a question and he'll look for his own answers.
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Question the status quo at all times, especially when things are going well.
Garry Kasparov -
This is my question, for life: have we retired the phrase, 'sticks and stones may break my bones, but names will never hurt me'? Is it legal for me to say, 'I endorse hate speech, I don't give a fuck'? I want hate speech. Why can't I hate you...in speech?
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As one digs deeper into the national character of the Americans, one sees that they have sought the value of everything in this world only in the answer to this single question: how much money will it bring in?
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And what he ought to see, hear and understand is truth-eternal truth-and then practice it. That is conversion.
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Paris Hilton's house was pretty exciting.
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I was a savage for so many years of my life. There was some seed of determination in me that I was not conscious of. I was mostly consciously getting into trouble and drunk.
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There's just no way to stop a movement in popular culture. It's going to happen, with or without you. There's absolutely no way to stop that train.
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I'd say there are two kinds of theater: one you end with an answer, one you end with a question.
