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I'm self-opinionated, and I have a sense of self. I can be brutal with agents and have been.
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I've always felt I had the talent. I've done a lot in my life. I've written, been in bands, done live TV for a network in Perth. I'm well-trained when it comes to being on a set, which gives you freedom.
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I'm patient when it comes to my career, which is unlike me, but there are no stars in my eyes. I make where I go. It's that sort of thing.
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I was in a band till I was about 17; then I went to television, and I spent seven years doing that. When I came to Seattle, I started to audition for things. The passion's always there, and that's what's been the hard thing: to fit that passion into a normal life. You can't do it. You can't have a normal life and pursue this dream.
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Interestingly, I'm more closed on set than I am off set. On set, I'm closed. I don't want input. I want to concentrate on what I'm doing with this other person. But outside of that, I'm open. I'm everybody's friend, unless they don't like me.
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I still miss music and singing. One day, I'm going to sing with a big band.
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There still seems to be a lack of film for the baby boomer generation, if you'd like to call it that. And I think 'Martin Bonner' showed what's possible. Later in life, when you've been working at something for a long time, to actually get some kudos for what you do is wonderful.
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From an actor's point of view, if you are watching something, and you see improv, you know it. Because of your experience, you just bloody know that wasn't written.
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I walk into a scene, and I do the scene. That's my job. I don't have an objective. I have the words, and I have whoever I'm playing with.
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I've been writing music since I was a teenager. I play keyboards. I'm not much of a player, but I can write. That will come along. I'd like to do a musical.