Lake Bell Quotes
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There are so many projects on my Dream List. I have so many things in the works, just like little ideas or collections of things or things I write or even just a title of something.
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The only thing I liked about Christmas as a kid was the gifts; otherwise, it just seemed like a stressful time.
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I have this necklace I always wear. I collect pendants from people I love; my best friends and members of my family have all given me one, and I put them on this chain so no matter where I am they're always with me.
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There have been times where you do the red carpet in a certain shoe, and you go into the bathroom, you take that shoe off, you put the other shoe on from your purse, and then you walk around for the rest of the night.
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I feel that being an actor is a front-row seat into seeing how everybody else makes their movies. Basically, being in the trenches for ten years is like a college-level course in filmmaking if not more. It feels like every director I work with and every set that I visit as an actor, I see someone else's definition of filmmaking.
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There are a lot of funny people and a lot of unfunny people. Some of them are women and some of them are dudes.
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I think the greatest privilege you have as an artist is time to nurture what you want to make; that's super luxurious. For you to rush into something, that doesn't feel fun to me. I'm living life in order to be able to write about it.
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I'll be totally honest in that I feel tremendously lucky that I am offered incredible jobs all the time to direct, but the problem that I have just personally is that there are only so many years in my life to dedicate to certain projects.
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I think, in general, when you're doing comedy, you're having a good time regardless of the comedy table tennis that you're playing. I think you want that, too: you're rooting for two characters to be together, and you should feel that even when they're angry at each other, they're still in synch with each other.
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When you have a little one, you realize that your only mission in life is to protect this helpless, very sensitive creature. That is your charge. That's primal. I relate to that deeply.
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I lean into all things that are a little off. I will always wear overalls. At this point, I find a way in most of my life to wear a jumpsuit or an overall, anything that's sort of like an all-in-one situation. I do that on the red carpet a lot.
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Anything that is profoundly energy-shifting - like having a child - is fodder for creative thought. So for me, I welcome it and look straight into it as something to learn from.
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Having children is not for everyone, but I think it's a beautiful lesson in it not being all about me anymore. It's a relief, in a way. It's like, this is her story now, and I'm her mom. It's a nice shift.
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I vowed to never use my American accent, and I didn't. Even going to get the paper in the morning to buying milk down at the shop, getting a cab, wherever.
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I consider myself a good layman's cook. Ninety percent of the time, I'm successful with what I set out to make, and I can improvise. Yes, I own a mandoline. Yes, we have a Vitamix.
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At a time when every series we're supposed to be DVR-ing is very important, very serious, has to do with heavy, heavy matters, I think 'Wet Hot' provides a respite to that DVR homework. It's totally the gummy bears of your programming.
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I'm super and very openly obsessed with voice-over. 'In a World...' was my love letter to the industry of voice-over. And in a way, I sometimes think of it as a 93-minute audition to the voice-over industry to say, 'Hey. Consider me!'
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I went to drama school in England, and you spend your first year working on the muscles surrounding the vocal mechanisms. You learn how you support it and create characters through your voice so that became an obsession. So I went to Hollywood thinking, 'Oh, I'm going to be one of the great voice-over artists.'
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I understand and respect deeply that each project brings its own secret and wonderful gifts and happy accidents.
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I had had a huge background in the nuance of the accent because I went to drama school in England for four years.
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I love accents in general. I'm obsessed with dialects, and I had to write a whole movie about it called 'In a World...'
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I think great directors really respect their actors and vice versa. That mutual respect makes the job fun instead of anything but.
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Before you have kids, you're like, 'I hope I don't die on this plane,' or, 'I hope I don't die crossing the street.' It's all me, me, me. 'What do I want to eat? What do I want to do?' But when you have a baby, and you would just happily stand in front of a bus to save her, it's a ferocious commitment to protecting your charge.
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With more money brings more fear and when you're trying to be creative in a fear-based environment it's dangerous. Then decisions are made out of fear, not what's best for the film.