Lake Bell Quotes
I went to drama school in England, and you spend your first year working on the muscles surrounding the vocal mechanisms. You learn how you support it and create characters through your voice so that became an obsession. So I went to Hollywood thinking, 'Oh, I'm going to be one of the great voice-over artists.'
Quotes to Explore
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Music was a way of rebelling against the whole rah-rah high school thing.
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We should cease thinking about men as the enemy of children and women.
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Wisdom and penetration are the fruit of experience, not the lessons of retirement and leisure. Great necessities call out great virtues.
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I lost relatives to AIDS. A couple of my closest cousins, favorite cousins. I lost friends to AIDS, high school friends who never even made it to their 21st birthdays in the '80s. When it's that close to you, you can't - you know, you can't really deny it, and you can't run from it.
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I used to love, and I still do, Lee Ann Womack. And Alison Krauss. I mean, how many Grammys does she have? She's just remained solid and true and great, and I respect that.
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This Republic was called into being, organized, and is upheld, by a great political doctrine.
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The last time I was pulled over was in 2005. I was going 55 in a 35 mile per hour zone - which I don't understand because you can barely even idle at 35 miles per hour. Anyway, I was ordered to go to traffic school. It was an 8-hour class and really painful.
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The first 50 years of the cinema were absolutely great years. Original minds were at work establishing the ways to tell a story. And what is happening now is a copying, a pastiche-ing of what was done by great men.
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The art world is never going to be popular like the NFL, but more people are buying art and I think that's cushioning, to a great extent, our art-market cycles.
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Yes, the companionship is amazing. You know, you can get that physical attraction that happens is great, but then there's an awful lot of time and the rest of the day that you have to fill.
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Russia's assertiveness in global affairs is something I look upon with great concern, which we need to address with eyes wide open and a healthy degree of skepticism.
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My great-grandfather fought with the Colonial Army in New England in the American Revolution.
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I never wanted to be a director. I came into this industry by the little door, so I never learned anything; I never went to school. Actors will tell you I'm very precise. I just have the intuition of doing things.
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Great indeed is the sublimity of the Creative, to which all beings owe their beginning and which permeates all heaven.
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Baltimore residents deserve a commitment from leaders to deliver meaningful changes and the possibility of a better future, and so does every Marylander who loves our great state.
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I think of the past and the future as well as the present to determine where I am, and I move on while thinking of these things.
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I'd been kind of a hiccup in my parents' lives. They lost track of me and I didn't know what I was going to do with myself. And then fate reached in and took me in its hands. I was discovered right out of high school and started getting work.
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I don't spend any time at all thinking about my personal wealth. I suppose if I had nothing, I might think, 'I have nothing.'
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One of the ingredients that made Cheers work so well was the great ensemble of actors we had. That's the case with any good series.
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Directing plays lacked the immediacy and connection to real world events that journalism offered; journalism lacked the drama, theatricality and subjective storytelling of theater. It wasn't until I had the idea of making a documentary film about the 1992 presidential campaign that these two passions came together in 'The War Room.'
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The Beat Generation - that term is even more familiar now, even more than say the '70s. Hype is built and established and people link it back to a certain generation, in this case the '40s and '50s. Now everyone knows that that group was the Beat Generation.
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Being famous is having the power to really implement positive change in the world, and it gives you the power to do what you want. I'm really grateful for it because I can play music and people will listen.
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I went to drama school in England, and you spend your first year working on the muscles surrounding the vocal mechanisms. You learn how you support it and create characters through your voice so that became an obsession. So I went to Hollywood thinking, 'Oh, I'm going to be one of the great voice-over artists.'
