Harry Connick, Jr. Quotes
Quotes to Explore
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The first Broadway show I saw was when I was 11. I saw 'Hair.'
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I was in New York doing musicals in the theater and on Broadway before 'Orange,' so people always ask, 'Are you ever going to get to sing? Does she even sing?' But people who know me know I actually do sing.
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I would love to do Broadway again.
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When I was on Broadway, people would really just recognize me around the theater. When you're showing up on commercials and posters, the scope of people recognizing you gets a little wider.
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I wouldn't mind doing Broadway, but I am definitely trying to get a album out there first.
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If I was on Broadway, I would want to do anything Vaudeville or a biopic.
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There's nothing that can match Broadway for stature and dignity.
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But as far as dream roles - I know this is so expected of me, but I would to play Elphaba in 'Wicked' on Broadway. I have a lot of dream roles, but that's like my main one because of the vocal track. I love belting high things!
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I want to be a recording artist for my whole entire life. But Broadway is something I would come back to at any given moment. I love, love, love doing theater.
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I love musicals and I love Broadway.
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I played St. Jimmy on Broadway I sort of caught the acting bug. But I didn't want to go full-bore into it because I have a lot to learn.
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That's always - that's been another dream of mine, to do a Broadway play. An award winning Broadway play.
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On the screen were some flashback shots of Daniel, Emma and Rupert from ten years ago. They were 12. I have also recently returned from New York, and while I was there, I saw Daniel singing and dancing (brilliantly) on Broadway. A lifetime seems to have passed in minutes.
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I got an email from Nick [Kroll] that he and John [Mulaney] were looking to put on the stage show with two of their characters from Kroll Show and could I help at all. And they were doing it [off-Broadway] at the Cherry Lane and they had been performing it at UCB, just sort of testing it out. I worked on it for a little bit downtown and it was a great experience.
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I always, always meant to be on stage. I only ended up even auditioning for television and movies because I was understudying a Turgenev play on Broadway and was so broke that, when I got a mini-series, I had to take it and was so ashamed because I was such a snob.
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I hoped, hoped, that maybe I'd be lucky enough to do something on Broadway, in the chorus.
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I've been in this business 25 years. I've been eking out a living doing Broadway, off-Broadway... I've seen the unemployment line a lot.
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I don't think there's any clever way for the establishment to take Donald Trump down. It's very simple. Another candidate is going to have to find a way either to out-maneuver him, or to just frankly beat him in the argument.
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To be honest, it was a little bit of a surprise to me that my Broadway debut was a musical.
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Does the end justify the means? Or should it be, Do the ends justify the mean; do the extremes justify moderation?
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Let's face it: men do a lot of things in the workplace that women just don't do.
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In the U.S. the powerful critics of austerity such as Paul Krugman and Robert Reich rightly identify the decline of 'labor' as a problem, and renewing trade unionism part of the solution. Our opportunity is to make the same case in the UK.
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In addition to the social pressures from the scientific community there is also at work a very human trait of individual scientist. I call it the law of the instrument, and it may be formulated as follows: Give a small boy a hammer, and he will find that everything he encounters needs pounding. It comes as no particular surprise to discover that a scientist formulates problems in a way which requires for their solution just those techniques in which he himself is especially skilled.
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I love orchestrating music and conducting and being on Broadway.
