Paul Hogan Quotes
Quotes to Explore
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A great man is different from an eminent one in that he is ready to be the servant of the society.
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I let characters be human and flawed and relatable.
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I think that the training of architects allows you to see what will happen ten years ahead of time, or twenty. It's not guessing, it's not intuitive, it's based on research - and we may be wrong.
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But what is liberty without wisdom, and without virtue? It is the greatest of all possible evils; for it is folly, vice, and madness, without tuition or restraint.
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Playing Juliet in 'Heavenly Creatures' changed my life, and the role of Clementine in' Eternal Sunshine of the Spotless Mind' opened many new doors creatively.
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I think that the good and the great are only separated by the willingness to sacrifice.
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Back when I was growing up, it was like, 'You're too young to know what you want. We're telling you what you want. It doesn't matter if you like it. And you are stupid. Just so you know.'
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I'm in a sketch comedy group in school and I also do stand-up.
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I've found that people get particularly frustrated and shut down when women in fiction are disgusting or disordered.
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We live in a society that is powered by fossil fuels, but for the meantime, we're in it. Maybe there's, like, five people living in the woods off-grid, but they're spending all their time maintaining that, and they don't have much time left over for anything else.
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As for sex, well, I mean sex is a perfectly respectable subject as far as Shakespeare is concerned. I mean, all history is love and violence.
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I think women of our generation went through Cultural Revolution, went through hardship, coming from nowhere, and suddenly see China's amazing opportunity. So women just seized the opportunity.
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No Republican questions or disputes civil rights. I have never wavered in my support for civil rights or the civil rights act.
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I have done my time living on the run. I'm British and I want to come home.
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Some actors couldn't figure out how to withstand the constant rejection. They couldn't see the light at the end of the tunnel.
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We may be likened to two scorpions in a bottle, each capable of killing the other, but only at the risk of his own life.
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When I moved to America, I knew I wanted to be a designer. I never imagined one of my dresses would end up in the Smithsonian.
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I do want to be a representative of the African community, and I want to hold myself and dress myself in a way that reflects that. I want black kids to see me and think, 'Okay, he's carrying himself as a black man, and that's how a black man should carry himself.'
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I recall playing practical jokes with John Wayne. I once got a whole bunch of keys and had little tags made that said, 'If lost, please return to John Wayne, RKO Studios. Reward.' And I just dropped them all over town. He got a lot of phone calls, people showing up at the studio. He never learned who did it.
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People will have MP3s of every Miles Davis' record but never think of hearing any of them twice in a row - there's just too much to get through.
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It was so simple in the old days. You put out an album, people promoted it, it got in the charts, and you had a hit.
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Our high school didn't have a crew team - we started the crew team.
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Everybody pursues their national interests. The only one who gets blamed for it is the United States.
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'Crocodile Dundee' is about people; it's 10 seconds about crocodiles.
