Joshua Henry (Joshua Anthony Charlton Henry) Quotes
I think there's something special about getting a moment perfect or near perfect. In a film, you can do that.
Quotes to Explore
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Everyone has a crazy old lady in their family like 'Mama.' No one ever comes up to me and says 'Mama' is just like them, so no one is ever offended by her. Even young people like to laugh at her. I think she helps kids appreciate their own grandmothers more.
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I've always thought Juliette Lewis was great.
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Hollywood needs to recognise all shades of African American beauty.
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In orthodox film-making, you never shoot sequentially - but with improv, obviously every move you make has a knock-on effect; it is a cumulative process. I have improvised, on the non-scripted 'Timecode.' It can become entirely indulgent: actors smashing crockery and competing verbally.
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When you have this many losses, you don't have a following.
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He passes from lyric to epic poetry in order to speak about the world and the torment in the world through man, rationally and emotionally. The poet then becomes a danger.
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When they tried me out as a host on TV, I found that I just couldn't be that gregarious person. I was stranger than that.
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There is no more unfortunate creature under the sun than a fetishist who yearns for a woman's shoe and has to settle for the whole woman.
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The Arctic National Wildlife Refuge is a unique and biologically special place that should be preserved.
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All of the charities we're involved with have touched me in one way or another on a personal level. There are about eight or nine charities that I support.
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Things that appear on the front page of the newspaper as 'fact' are far more dangerous than the games played by a novelist, and can lead to wars.
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Really, truly, try to figure out what your palate is all about. If you've determined that you don't like dirty old stinky wine - old-world flavors - you probably like new-world fruit bombs. Stick to Shirazes and California Cabernets or Zinfandels.
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People have said things about me, and wrote and criticized me about things in the past, but it goes in one ear and out the other.
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It's really hard for actors to cross over and get any respect as a singer, and if I could just keep it separate and not use my music in movies, it's cool.
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I don't completely understand why people in Aspen want to hear what I have to say.
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Before we made films about gangsters, everything was about the royal families. They contain so much drama.
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I don't focus on the scale. I focus on doing my job. The team staff and the program I've been working on, they've been touching on that, but I don't focus on the scale.
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I like America. I don't want to hurt America.
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I think I am more determined than ever in my future plans, and I have quite made up my mind that nothing must be suffered to interfere with them. I intend to make such arrangements in town as will secure me a couple of hours daily (with very few exceptions) for my studies.
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If you set your bar at 'amazing' it's awfully difficult to start. Your first paragraph, sketch, formula, sample or concept isn't going to be amazing. Your tenth one might not be either. Confronted with the gap between your vision of perfect and the reality of what you've created, the easiest path is no path. Shrug. Admit defeat. Hit delete. One more reason to follow someone else and wait for instructions. Of course, the only path to amazing runs directly through not-yet-amazing. But not-yet-amazing is a great place to start, because that's where you are.
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I think there's something special about getting a moment perfect or near perfect. In a film, you can do that.
