Joshua Henry (Joshua Anthony Charlton Henry) Quotes
I think there's something special about getting a moment perfect or near perfect. In a film, you can do that.
Quotes to Explore
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Everyone has a crazy old lady in their family like 'Mama.' No one ever comes up to me and says 'Mama' is just like them, so no one is ever offended by her. Even young people like to laugh at her. I think she helps kids appreciate their own grandmothers more.
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I've always thought Juliette Lewis was great.
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Hollywood needs to recognise all shades of African American beauty.
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In orthodox film-making, you never shoot sequentially - but with improv, obviously every move you make has a knock-on effect; it is a cumulative process. I have improvised, on the non-scripted 'Timecode.' It can become entirely indulgent: actors smashing crockery and competing verbally.
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When you have this many losses, you don't have a following.
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He passes from lyric to epic poetry in order to speak about the world and the torment in the world through man, rationally and emotionally. The poet then becomes a danger.
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When they tried me out as a host on TV, I found that I just couldn't be that gregarious person. I was stranger than that.
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There is no more unfortunate creature under the sun than a fetishist who yearns for a woman's shoe and has to settle for the whole woman.
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The Arctic National Wildlife Refuge is a unique and biologically special place that should be preserved.
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All of the charities we're involved with have touched me in one way or another on a personal level. There are about eight or nine charities that I support.
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Things that appear on the front page of the newspaper as 'fact' are far more dangerous than the games played by a novelist, and can lead to wars.
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Really, truly, try to figure out what your palate is all about. If you've determined that you don't like dirty old stinky wine - old-world flavors - you probably like new-world fruit bombs. Stick to Shirazes and California Cabernets or Zinfandels.
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I suppose that Heartland, Unknown Soldier and Pride and Joy represent not a quieter side but more of a serious side to my work, something I've been getting into recently.
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People have said things about me, and wrote and criticized me about things in the past, but it goes in one ear and out the other.
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It's really hard for actors to cross over and get any respect as a singer, and if I could just keep it separate and not use my music in movies, it's cool.
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I don't completely understand why people in Aspen want to hear what I have to say.
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I was single-minded on what I wanted to do since I was like nine or ten.
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Before we made films about gangsters, everything was about the royal families. They contain so much drama.
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I don't focus on the scale. I focus on doing my job. The team staff and the program I've been working on, they've been touching on that, but I don't focus on the scale.
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You don't want to be on a show that no one wants to see, and then think your phone is going to be ringing off the hook to do other jobs. I'm not tethered to the fact that my demise may be reached this season or next season, or whatever.
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The script for this film was written 52 years ago by Edward R. Murrow, who taught us many valuable lessons about responsibility and always, always questioned authority, because without it authority often goes unchecked.
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It works better if your lead character is complex and interesting and not perfect.
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Like a baseball game, wars are not over till they are over. Wars don't run on a clock like football. No previous generation was so hopelessly unrealistic that this had to be explained to them.
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I think there's something special about getting a moment perfect or near perfect. In a film, you can do that.
