Paul Horn Quotes
Quotes to Explore
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Once I finished 'Sicario,' I knew I wanted to follow it up with 'Hell or High Water.'
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I've only gotten directly offered two or three movies, ever. I don't have the luxury of being able to say no a lot, and I don't really have the luxury of just getting to pick and choose certain things. If I did, I probably would choose even more different roles than I've played.
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People assume a lot of things about gymnasts - that the girls work too hard, it's way too much for them, they are too young to work so hard.
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People are told their rights when they're arrested. Consumers getting collection letters are entitled to the same courtesy.
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If one has curiosity, then one stands the chance of attain a high level of scientific inquiry.
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What gunpowder did for war the printing press has done for the mind.
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Retiring is the easy way out.
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I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.
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Being queen is overrated.
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If I don't create, I don't exist.
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I've never had a job. I've never needed to.
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Being a part of success is more important than being personally indispensable.
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I managed to survive the worst things any entertainer could possibly go through.
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It's nice to get to know people who are the same age as you that do the same things because it's like a different level of understanding.
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When other boys dreamt of going to the moon or becoming doctors, I wanted to be a designer.
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When I finally decided to do the show, I only had two weeks to learn the choreography and the songs in French.
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I hate shopping. I don't go shopping. If I do, I run in and out.
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Free-diving is all about being lean, being super-flexible, and having a good breath hold.
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My first trophy in France was the Young Player of the Year. I was 17. Chelsea is not just one player. It is not only me. We have signed a lot of players. Now we have some good signings like Cesc Fabregas and Diego Costa.
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What I take from writers I like is their economy - the ability to use language to very effective ends. The ability to have somebody read something and see it, or for somebody to paint an entire landscape of visual imagery with just sheets of words - that's magical.
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Whenever I say I made a record in the garage, people just assume that I have, like, a Lear jet parked in there or something. But really there's old luggage, a couple of bikes. It's big enough to put one minivan in. That's it. No dartboard. I'm so not macho.
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If I have done anything, it is to make ugly appealing. In fact, most of my work is concerned with destroying—or at least deconstructing—conventional ideas of beauty, of the generic appeal of the beautiful, glamorous, bourgeois woman. Fashion fosters clichés of beauty, but I want to tear them apart.
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The 'Inside' record definitely opened up a whole new audience.
