Paul Horn Quotes
Quotes to Explore
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Once I finished 'Sicario,' I knew I wanted to follow it up with 'Hell or High Water.'
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I've only gotten directly offered two or three movies, ever. I don't have the luxury of being able to say no a lot, and I don't really have the luxury of just getting to pick and choose certain things. If I did, I probably would choose even more different roles than I've played.
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People assume a lot of things about gymnasts - that the girls work too hard, it's way too much for them, they are too young to work so hard.
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If one has curiosity, then one stands the chance of attain a high level of scientific inquiry.
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What gunpowder did for war the printing press has done for the mind.
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Retiring is the easy way out.
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I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.
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Being queen is overrated.
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If I don't create, I don't exist.
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I've never had a job. I've never needed to.
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Being a part of success is more important than being personally indispensable.
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It's nice to get to know people who are the same age as you that do the same things because it's like a different level of understanding.
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When other boys dreamt of going to the moon or becoming doctors, I wanted to be a designer.
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When I finally decided to do the show, I only had two weeks to learn the choreography and the songs in French.
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I hate shopping. I don't go shopping. If I do, I run in and out.
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Free-diving is all about being lean, being super-flexible, and having a good breath hold.
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My first trophy in France was the Young Player of the Year. I was 17. Chelsea is not just one player. It is not only me. We have signed a lot of players. Now we have some good signings like Cesc Fabregas and Diego Costa.
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Your parents only want what's best for you. They know a career in the arts usually means living paycheck to paycheck; they just want you to know that you have other options!
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The ghastly thing about being a producer is that, once the curtain goes up, there is nothing you can do. At least when you are in it, you have some measure of control. If something goes wrong, you can maybe put it right. When you are in the audience, there is nothing you can do.
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I think the notion of traditional anchor is fading away - the all-knowing, all-seeing person who speaks from on high. I don't think the audience really buys that anymore. As a viewer, I know I don't buy it.
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After 9/11, I changed a lot of the ways I viewed the world. I realized my comedy and my politics and my view of the world did not match. I had to start writing from my heart.
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I don't have to show that I am working very hard.
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I played trumpet in the school bands. I learned things I liked to play on my trumpet, but I didn't learn why this note goes with this note and why it produces that sound. Or how to create tension in the composition.
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The 'Inside' record definitely opened up a whole new audience.
