Paul Horn Quotes
Quotes to Explore
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Once I finished 'Sicario,' I knew I wanted to follow it up with 'Hell or High Water.'
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I've only gotten directly offered two or three movies, ever. I don't have the luxury of being able to say no a lot, and I don't really have the luxury of just getting to pick and choose certain things. If I did, I probably would choose even more different roles than I've played.
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People assume a lot of things about gymnasts - that the girls work too hard, it's way too much for them, they are too young to work so hard.
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If one has curiosity, then one stands the chance of attain a high level of scientific inquiry.
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What gunpowder did for war the printing press has done for the mind.
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Retiring is the easy way out.
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I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.
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Being queen is overrated.
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If I don't create, I don't exist.
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I've never had a job. I've never needed to.
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Being a part of success is more important than being personally indispensable.
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It's nice to get to know people who are the same age as you that do the same things because it's like a different level of understanding.
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When other boys dreamt of going to the moon or becoming doctors, I wanted to be a designer.
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When I finally decided to do the show, I only had two weeks to learn the choreography and the songs in French.
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I hate shopping. I don't go shopping. If I do, I run in and out.
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Free-diving is all about being lean, being super-flexible, and having a good breath hold.
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My first trophy in France was the Young Player of the Year. I was 17. Chelsea is not just one player. It is not only me. We have signed a lot of players. Now we have some good signings like Cesc Fabregas and Diego Costa.
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Your parents only want what's best for you. They know a career in the arts usually means living paycheck to paycheck; they just want you to know that you have other options!
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The ghastly thing about being a producer is that, once the curtain goes up, there is nothing you can do. At least when you are in it, you have some measure of control. If something goes wrong, you can maybe put it right. When you are in the audience, there is nothing you can do.
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Comedy can be harder because if you aren't making the audience laugh, they're going to turn on you quicker. They'll go along with mediocre drama more than they'll go along with mediocre comedy.
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The first record I got, I think I stole. I was with my mother; she turned her back, and I slipped it in my coat. And I think it was 'Cry Baby' by The Bonnie Sisters. That or 'Lucille' by Little Richard.
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To captivate our varied and worldwide audience of all ages, the nature and treatment of the fairy tale, the legend, the myth have to be elementary, simple. Good and evil, the antagonists of all great drama in some guise, must be believably personalized. The moral ideals common to all humanity must be upheld. The victories must not be too easy. Strife to test valor is still and will always be the basic ingredient of the animated tale, as of all screen entertainments.
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The 'Inside' record definitely opened up a whole new audience.
