Paul Horn Quotes
Quotes to Explore
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Once I finished 'Sicario,' I knew I wanted to follow it up with 'Hell or High Water.'
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I've only gotten directly offered two or three movies, ever. I don't have the luxury of being able to say no a lot, and I don't really have the luxury of just getting to pick and choose certain things. If I did, I probably would choose even more different roles than I've played.
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People assume a lot of things about gymnasts - that the girls work too hard, it's way too much for them, they are too young to work so hard.
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People are told their rights when they're arrested. Consumers getting collection letters are entitled to the same courtesy.
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If one has curiosity, then one stands the chance of attain a high level of scientific inquiry.
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What gunpowder did for war the printing press has done for the mind.
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Retiring is the easy way out.
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I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.
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Being queen is overrated.
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If I don't create, I don't exist.
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My grandfather would live to see his children become doctors and ministers, accounts and professors.
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I've never had a job. I've never needed to.
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I was only 23 and just out of college when I filmed 'Casualty' and so nervous, but it was brilliant fun. I was really lucky, and it really helped my career.
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Being a part of success is more important than being personally indispensable.
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I managed to survive the worst things any entertainer could possibly go through.
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It's nice to get to know people who are the same age as you that do the same things because it's like a different level of understanding.
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When other boys dreamt of going to the moon or becoming doctors, I wanted to be a designer.
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When I finally decided to do the show, I only had two weeks to learn the choreography and the songs in French.
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I hate shopping. I don't go shopping. If I do, I run in and out.
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Simply put; I'm trying to see what I can get done with the horse without him being troubled about doing it.
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Whatever one may say about the perils of workshops, they help writers internalize an awareness of audience.
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Ah, 'Pather Panchali' was the most inspiring film that I wrote music for, and it was so spontaneously done. I saw the film, composed on the spot, along with myself and only four other musicians, and everything was done within 4-1/2 hours, I think an all-time record anywhere.
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Making my class laugh and getting in trouble. I was the class clown.
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The 'Inside' record definitely opened up a whole new audience.
