Jovan Adepo Quotes
Quotes to Explore
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The entire time I was up shooting 'Suits,' I was running back to my trailer to help get 'Nine Circles' produced. It's a no-brainer for me to keep that part of life alive.
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I think I'm very stoic. Death and dying are things that I'm used to.
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I think, aesthetically, car design is so interesting - the dashboards, the steering wheels, and the beauty of the mechanics. I don't know how any of it works, I don't want to know, but it's inspirational.
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It just seems like the most fun thing in the world. I've never met people who have kids who haven't looked me in the eye and been like, 'It's the greatest thing that's ever happened.'
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Remember that we are all human beings trying to do what we love to do.
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If you stop one terror attack in the U.S., it may be connected to multiple other plots out there that are connected. If you reveal that you stopped one plot, it may tip our hand.
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The 2 million people who work in the NHS and social care are also themselves patients and users. I know they all want to treat patients and users the way they and their families would want to be treated and that is the purpose of our reforms.
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I left Beijing in 1987, shortly before my books were banned there, but have returned continually.
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I know I'm not the kind of person who's gonna wind up a walking jukebox, like many rock 'n' roll artists. They just play their hits and that's it. That doesn't appeal to me.
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I remember sitting in on meetings where everyone in the room was twice as old as I was.
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I really loved living in the White House, but I don't miss it at all.
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It was great being together as a band, but much more difficult being brothers than it was being in a band.
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Twigs has been my nickname for years, and I guess a lot of people close to me called me Twigs, like, as a nickname. Before I even did dancing properly or anything, like, substantially creative, I was still Twigs.
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The benefits of education and of useful knowledge, generally diffused through a community, are essential to the preservation of a free government.
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When I was in high school, I was doing all the plays. My drama teacher, Melody Duggan, was the one one who first made me do stand-up. She's the origin of the whole thing; it's all her. In high school in Denver, that was kind of the beginning of it all.
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I'm not into the gym. I prefer dancing or tennis.
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Walking down the street with a portrait of the Dalai Lama will get one immediately arrested in most parts of China. Tiny medallions are routinely confiscated and destroyed.
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'No Bones' has some reverb that I kick around.
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I definitely have a shareholders' perspective. I'm not doing that altruistically. I'm doing that because it's in my own self interest to do it. I think that's good for my other shareholders because they go along with me: If I do well for myself, then they do well for themselves.
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I believe, even when I'm doing my standup or my acting or whatever I'm doing, I believe in painting pictures.
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I look at singing and acting as one career, and I love the chance to do both in the same project. I need to do both. When I'm doing one, I miss the other.
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I often think off-screen horror is more effective, it's the fear of what is lurking around the corner, just out of sight, that can leave you on the edge of your seat.
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All magic is about transformation... the performance magician is telling you that you are the magician in your own life. You are the agent of transformation, your own transformation.
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What happens off-screen definitely informs your performance on screen.
