Jack Kemp Quotes
Quotes to Explore
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I think people like musicals. And when done with a modern comedic sensibility, musical comedy can be the most efficient delivery of both storytelling and jokes.
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There is always pressure in football.
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Even when I was a kid, I always showed up late for school every day. It got to the point where they had my late slips filled for every day of the school year in advance, so all they had to do was fill in what time I got there.
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I'm not a control freak.
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Any time Khaled comes to your video, it just steps it up that much more. He's so fun; people love him.
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I'm going to continue to work to be the best player in the world, and whenever that doesn't sound fun to me anymore, that's when it's over.
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My father is actually a quarry man - he deals in stone. He also at one point had a lot of sheep, he owned a sheep farm, but primarily the family business was in stone.
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Women become the objects of rules; they are repressed and lose their rights in the name of religion, or they lose their freedom in the name of tradition, while the state legitimates this foolishness with laws.
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The results showed that Joe Mokoena and I had made history. For the first time in the history of education in South Africa, two African students had passed the JC with a First Class degree, regarded as a rare achievement for any student.
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I entered Yale in the fall of 1951, and about November of that year, Bill Buckley published 'God and Man at Yale.'
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I think I'm a songwriter. I grab an instrument to make my body a song, but I'm not a player as such, maybe a little more on guitar, but certainly not piano.
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I want to win football games.
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A lot of times, losing a fight is tough. In your darkest hours, I guess your true colors show.
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I don't really have a type. I don't want to be a cliche. But personality is a big thing for me. You can find cute guys all over. But he's got to have some sort of sense of humor, which is so hard to find in a guy. He's got to be a bit smart.
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I went to a Catholic all-girls school, and we would play cassettes of music we liked, and when it was my turn, they would laugh at my choices. I would play Billie Holliday, Elmore James and Howlin' Wolf, but it was fine; if I had to listen to their choices, they had to listen to mine.
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I actually like getting out of my comfort zone. It shakes me up.
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I am struck here by the curious mixture of justice and injustice in our lives. We are blamed for our real faults but usually not on the right occasions.
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Give me the luxuries of life and I will willingly do without the necessities.
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I've found a way to live in the here and now.
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When I first did 'Best in Show,' I had never done any improvisation.
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There is an apprenticeship system in jazz. You teach the young ones. So even if the musicians weren't personally that likable, they felt an obligation to help the younger musicians.
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We don't need to bring down the rich folk to help the poor.
