Cara Delevingne Quotes
I treat the camera like a person - I gaze into it. Photos are a flat thing, and you need to put life into them.
Quotes to Explore
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I always loved cars. I don't know why, I can't explain it to you. It has always been with me.
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I feel pressure, but my emotions just don't show that much in my face.
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Sometimes a chord on a guitar will somehow spur some thought in your head, and you will write a song about it.
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It didn't scare me to be vulnerable because I think that's when you get something great.
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The best part of being blonde is forgivable momentary lapses of common sense.
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I love the creativity of New York, but I don't enjoy the city - I don't like living here.
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I was approached in Texas to be a model a few times. One of my first jobs was the cover of a CD.
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That's really my goal now. I'm trying to be a positive role model to my kids and to just enjoy this ride, because it's hard. It's hard to enjoy it when you're in it.
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Babies are smart. They can tell the difference between a responsive face and a blank face, wiped clean of emotion.
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You are not alone with a guy until you are a proper age. You don't go to certain levels with men until you are married or you have a certain relationship.
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One of the pleasures of getting older and making a living the way you want to is that your social circle becomes rarified, and the people who enter have been vetted.
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I have admired David Bromley's work for years. He possesses such a wild and vivid imagination and really sees the beauty in everything.
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We move sometimes. We send messages to each other. We talk on the phone. Tell me, what can we do?
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If a topic hits me, I'll start going on it. But you can't force it.
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So if I get these actors for 30% of their price by coming in so late with an offer when they know they are not getting another offer then I do it this way.
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I've really loved steampunk for a long time, ever since 'Wild Wild West,' and it's always been a genre and an era that's fascinated me. But so often it's set in England, and that doesn't really resonate with me, or maybe it just seems a little overdone.
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When you're actually making the film, you're constantly battling to maintain its integrity.
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You're always going to have people that are naysayers, that don't believe in your talent, that don't believe that you have any kind of longevity.
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Somewhere in the child, somewhere in the adult, there is a hard, irreducible, stubborn core of biological urgency, and biological necessity, and biological reason that culture cannot reach and that reserves the right, which sooner or later it will exercise, to judge the culture and resist and revise it.
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I've actually been given a great gift. When I walk into an audition with a director, I'm carrying no baggage. They haven't seen me in anything, even though I've done nine films.
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There's no telling how many guns we have in America - and when one gets used in a crime, no way for the cops to connect it to its owner. The only place the police can turn for help is a Kafkaesque agency in West Virginia, where, thanks to the gun lobby, computers are illegal and detective work is absurdly antiquated.
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I have always believed that there is a need for life-affirming films.
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Life has a funny way of becoming ordinary as soon as it can.
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I treat the camera like a person - I gaze into it. Photos are a flat thing, and you need to put life into them.
