Cara Delevingne Quotes
I treat the camera like a person - I gaze into it. Photos are a flat thing, and you need to put life into them.
Quotes to Explore
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I always loved cars. I don't know why, I can't explain it to you. It has always been with me.
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I feel pressure, but my emotions just don't show that much in my face.
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Sometimes a chord on a guitar will somehow spur some thought in your head, and you will write a song about it.
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It didn't scare me to be vulnerable because I think that's when you get something great.
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The best part of being blonde is forgivable momentary lapses of common sense.
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I love the creativity of New York, but I don't enjoy the city - I don't like living here.
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I was approached in Texas to be a model a few times. One of my first jobs was the cover of a CD.
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That's really my goal now. I'm trying to be a positive role model to my kids and to just enjoy this ride, because it's hard. It's hard to enjoy it when you're in it.
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Babies are smart. They can tell the difference between a responsive face and a blank face, wiped clean of emotion.
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You are not alone with a guy until you are a proper age. You don't go to certain levels with men until you are married or you have a certain relationship.
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One of the pleasures of getting older and making a living the way you want to is that your social circle becomes rarified, and the people who enter have been vetted.
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I have admired David Bromley's work for years. He possesses such a wild and vivid imagination and really sees the beauty in everything.
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We move sometimes. We send messages to each other. We talk on the phone. Tell me, what can we do?
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If a topic hits me, I'll start going on it. But you can't force it.
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So if I get these actors for 30% of their price by coming in so late with an offer when they know they are not getting another offer then I do it this way.
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I've really loved steampunk for a long time, ever since 'Wild Wild West,' and it's always been a genre and an era that's fascinated me. But so often it's set in England, and that doesn't really resonate with me, or maybe it just seems a little overdone.
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When you're actually making the film, you're constantly battling to maintain its integrity.
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You're always going to have people that are naysayers, that don't believe in your talent, that don't believe that you have any kind of longevity.
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If I was still at school, I'd be looking at Britney Spears and dying to be her.
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I think crying over spilt milk and being all moody and sulky is really bratty behavior. You shouldn't do it, because it's going to drag you and everyone else around you down.
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Thus, the word is more essential than cement. Thus, the word is not a small nothing. In this manner, noble people begin to grow, and their word will break cement.
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I loved making 'The Hunger Games' - it was the happiest experience of my professional life. Lionsgate was supportive of me in a manner that few directors ever experience in a franchise: they empowered me to make the film I wanted to make and backed the movie in a way that requires no explanation beyond the remarkable results.
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The older I get, the more obvious it is that you're not really in control of your life, you're a part of a larger wave, no matter who you are.
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I treat the camera like a person - I gaze into it. Photos are a flat thing, and you need to put life into them.
