Cara Delevingne Quotes
I treat the camera like a person - I gaze into it. Photos are a flat thing, and you need to put life into them.
Quotes to Explore
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I always loved cars. I don't know why, I can't explain it to you. It has always been with me.
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I feel pressure, but my emotions just don't show that much in my face.
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Sometimes a chord on a guitar will somehow spur some thought in your head, and you will write a song about it.
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It didn't scare me to be vulnerable because I think that's when you get something great.
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The best part of being blonde is forgivable momentary lapses of common sense.
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I love the creativity of New York, but I don't enjoy the city - I don't like living here.
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I was approached in Texas to be a model a few times. One of my first jobs was the cover of a CD.
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That's really my goal now. I'm trying to be a positive role model to my kids and to just enjoy this ride, because it's hard. It's hard to enjoy it when you're in it.
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Babies are smart. They can tell the difference between a responsive face and a blank face, wiped clean of emotion.
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You are not alone with a guy until you are a proper age. You don't go to certain levels with men until you are married or you have a certain relationship.
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One of the pleasures of getting older and making a living the way you want to is that your social circle becomes rarified, and the people who enter have been vetted.
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I have admired David Bromley's work for years. He possesses such a wild and vivid imagination and really sees the beauty in everything.
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We move sometimes. We send messages to each other. We talk on the phone. Tell me, what can we do?
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If a topic hits me, I'll start going on it. But you can't force it.
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So if I get these actors for 30% of their price by coming in so late with an offer when they know they are not getting another offer then I do it this way.
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I've really loved steampunk for a long time, ever since 'Wild Wild West,' and it's always been a genre and an era that's fascinated me. But so often it's set in England, and that doesn't really resonate with me, or maybe it just seems a little overdone.
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When you're actually making the film, you're constantly battling to maintain its integrity.
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You're always going to have people that are naysayers, that don't believe in your talent, that don't believe that you have any kind of longevity.
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The fact that I have always been deeply invested in politics, and African politics in particular, inevitably played a role in my first novel and, of course, in my decision to write about a handful of particular conflicts in Africa as a journalist.
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I seem to have very polite fans, not fanatical ones.
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I try to be a good person every day. If you didn't like me, there would be something wrong with you, because I really go out and work as hard as I can to help people. I put myself last - always. I'm a giver all the way.
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I grew up in a society where everything you did was eavesdropped on, recorded, snitched on. I had friends when we were kids getting into trouble for telling anecdotes about Communist leaders.
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All the praise I received couldn't substitute for the praise I had never received from my mother at home. I longed for some wonderful man to come and save me from my life - but there didn't seem to be any, at least not for me.
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I treat the camera like a person - I gaze into it. Photos are a flat thing, and you need to put life into them.
