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I'm not classically pretty; I've always been too heavy; I've had thyroid disease and it's very hard for me to lose weight - but I've always had men pursue me. I've always had that 'it' thing. God knows why. Maybe it's pheromones, I don't know.
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Women are their own worst enemies. And guilt is the main weapon of self-torture . . . Show me a woman who doesn't feel guilty and I'll show you a man.
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It's only when you're forbidden to talk about the future that you suddenly realize how much the future normally occupies the present.
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Genius is a strong aphrodisiac.
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certain very old people reach an age where every funeral becomes some sort of insane confirmation of strength, rather than of vulnerability, as it is when we are in our thirties or forties and our friends die.
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A concern with 'public morality' is - if not the last refuge of a scoundrel - the first foray of the fascist.
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It takes a spasm of love to write a poem.
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The body is wiser than its inhabitants. the body is the soul. the body is god’s messenger.
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Silence is the bluntest of blunt instruments. It seems to hammer you into the ground. It drives you deeper and deeper into your own guilt. It makes the voices inside your head accuse you more viciously than any outside voices ever could.
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I think poetry is the best thing I do. It's certainly the purest. I seem to switch gears without too much trouble. Non-fiction is in many ways the easiest to write.
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Writers are doubters, compulsives, self-flagellants. The torture only stops for brief moments.
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If you imagine the world listening, you'll never write a line. That's why privacy is so important. You should write first drafts as if they will never be shown to anyone.
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I have ne'er been in a chamber with a lawyer when I did not wish either to scream with desperation or else fall into the deepest of sleeps, e'en when the matter concern'd my own future most profoundly.
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I think that the joy of writing a novel is the self-exploratio n that emerges and also that wonderful feeling of playing God with the characters. When I sit down at my writing desk, time seems to vanish. ... I think the most important thing for a writer is to be locked in a study.
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Most sex is not really intimate.
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The hardest part is believing in yourself at the notebook stage. It is like believing in dreams in the morning.
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Being a daughter is only half the equation; bearing one is the other.
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The desire for magic cannot be eradicated. Even the most supposedly rational people attempt to practice magic in love and war. We simultaneously possess the most primitive of brain stems and the most sophisticated of cortices. The imperatives of each coexist uneasily.
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There is this tendency to think that if you could only find the magic way, then you could become a poet. "Tell me how to become a poet. Tell me what to do." . . . What makes you a poet is a gift for language, an ability to see into the heart of things, and an ability to deal with important unconscious material. When all these things come together, you're a poet. But there isn't one little gimmick that makes you a poet. There isn't any formula for it.
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Beware of the man who denounces psychiatrists; he is afraid.
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My generation was not only maligned in book reviews and attacked in graduate school but we lived to see our adored and adorable daughters wonder why feminism had become a dirty word.
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Anybody who instantly goes from being a poet and a graduate student to being a public figure has to be in a state of shock. First people want to praise you, and then they want to attack you. No one can prepare you for it.
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Don't ye know that ev'ry Soul on Earth feels itself to be an Orphan?
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Poetry is fired by love.