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I think poetry is the best thing I do. It's certainly the purest. I seem to switch gears without too much trouble. Non-fiction is in many ways the easiest to write.
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Hate generalizes; love is particular.
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It's only when you're forbidden to talk about the future that you suddenly realize how much the future normally occupies the present.
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What I discovered was is that it's rare to find a person that you feel very intimate with, and you can sleep with lots of people and not find what you're looking for.
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My generation had Doris Day as a role model, then Gloria Steinem--then Princess Diana. We are the most confused generation.
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It's useful to know how much society's holding you back. My mother would talk about how she was told by the head of her art school that she was the best painter, but that she wouldn't get the biggest prize because she would waste her talent by having children. I think we have to get honest with girls about how they can expect the world to block them, and we have to prepare girls, and ourselves, to break through those blocks.
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I have accepted fear as a part of life - specifically the fear of change... I have gone ahead despite the pounding in the heart that says: turn back.
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Pleasure is terrifying because it breaks down the boundaries between people. Embracing passion means living with fear.
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There is this tendency to think that if you could only find the magic way, then you could become a poet. "Tell me how to become a poet. Tell me what to do." . . . What makes you a poet is a gift for language, an ability to see into the heart of things, and an ability to deal with important unconscious material. When all these things come together, you're a poet. But there isn't one little gimmick that makes you a poet. There isn't any formula for it.
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Most sex is not really intimate.
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Writers are doubters, compulsives, self-flagellants. The torture only stops for brief moments.
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You must find the right voice (or voices) for the timbre that can convince a reader to give himself up to you.
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I thought to spend my declining years writing poetry and teaching - but that won't pay the Bergdorf's bill. I think I'll move to somewhere life is cheaper.
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If you imagine the world listening, you'll never write a line. That's why privacy is so important. You should write first drafts as if they will never be shown to anyone.
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When I sit down at my writing desk, time seems to vanish. I think it's a wonderful way to spend one's life.
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Poetry is fired by love.
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I'm very dependant. I fall apart regularly.
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Language matters because whoever controls the words controls the conversation, because whoever controls the conversation controls its outcome, because whoever frames the debate has already won it, because telling the truth has become harder and harder to achieve in an America drowning in Orwellian Newspeak.
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Being a daughter is only half the equation; bearing one is the other.
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Writing is one of the few professions left where you take all the responsibility for what you do. It's really dangerous and ultimately destroys you as a writer if you start thinking about responses to your work or what your audience needs.
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Why does life need evidence of life?
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Writers tend to be addicted to houses ... We work at home, indulging the agoraphobia endemic to our kind. We are immersed in our surroundings to an almost morbid degree.
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I have lived my life according to this principle: If I'm afraid of it, then I must do it.
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It is the city of mirrors, the city of mirages, at once solid and liquid, at once air and stone.