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It's always nerve-racking to take off your clothes on film. But doing it with a woman felt safer than with a man. You know you can say, 'Don't grab me there: That's where my cellulite is'!
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I had gotten to a place where I truly believed everything I was called: 'not sexy,' 'not funny,' 'too intense,' desperate.' All those labels they gave me, I took them because there wasn't a trace of my true self left.
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I'm a tomboy now. I always wanted to fit in with my brother's group, so I climbed trees and played with lead soldiers. But I'm a woman's woman. I never understood women who don't have woman friends.
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Pain is such an important thing in life. I think that as an artist you have to experience suffering.
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The use of violence in movies is a subject that's worth addressing. I'm not standing on a soapbox or wagging a finger, but I'm interested in those subjects for sure.
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Some movies are the kind you take home with you at the end of the day, and some, you can let go.
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On set is where I feel comfortable. The red carpet stuff, talking about the film, explaining your own life, it doesn't come naturally. It's all necessary stuff I suppose but it's not my strength.
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There must be a thread in everything I choose to take on, and I can't say it's a calculated thread, but I think you end up doing the work that's resonating with you.
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There are no tricks to balancing work and family. It is a struggle all the time, and you just do your best. I think men are much better at compartmentalising.
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Whatever is said about roles drying up, I intend to keep working. Certainly now the roles couldn't be more interesting - playing mothers, divorcees. I think it's going to be exciting to play a mother of teenagers. The longer your life, the deeper it gets.
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When I had dark hair I definitely felt that I was more anonymous.
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I always love being in the company of women. It's all about good conversation and great wine.
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There's so much focus on celebrity these days; we're in the Kardashian era, and it's slightly scary.
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Maybe in the workplace I have more courage than other areas in my life.
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I wish I'd started having kids sooner so I could have had a few more.
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Whenever I am in Paris, all I want to do is inhale a big plate of cheese. And in New York, my favourite thing is a toasted bagel with cream cheese. Not only do I not avoid carbs, I more or less have them in every meal. When I start denying myself foods, that's when I crave them.
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Parisian women have an inner elegance that's envied the world over. They are so relaxed about ageing and seem to acquire more charisma and beauty with time. Who wouldn't want to be like them? That's the trick - to embrace the natural progression of life and to be confident.
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I'm not this dark, twisted person. Yes, I have my demons and this is my way of exorcising them. It gets them out - and better out than in.
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I hate diets. Restriction makes me feel rebellious. I find that I look my best when I feel my best, whatever that takes. For me, above all else, it means being around the people I want to be with.
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Mum put me in drama classes when I was about 14. I'd been going on about it for some time, so maybe it was a way to shut me up.
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There was a time I was very much blaming the way I felt on L.A, that it was a vacuum of creativity, of humor or anything organic, and I was really angry at the place. But then today I feel completely different - I love L.A.!
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Oh, I'm definitely a wild child.
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The thing that I love about acting is the fact that I can help people feel things, know themselves or feel less alone. It's my form of expression, in the same way that someone might paint a picture or sing a song in that you're hoping that it moves somebody outside of their own way of thinking.
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I consider myself British and have very happy memories of the UK. I spent the first 14 years of my life in England and never wanted to leave. When I was in Australia I went back to England a lot.