Judy Blume Quotes
Quotes to Explore
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Yes, there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy. Is this an artistic error? I fear it is. It is the only error in the book.
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Surreal can be exciting and good, and it can be like living inside an alien landscape, and it can be completely interesting, or you can be alienated from your own life - inside your own life, it doesn't feel familiar any more.
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I must be like the princess who felt the pea through seven mattresses; each book is a pea.
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I like to believe, as a writer, that anybody who isn't a reader yet has just not found the right book.
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Our dream as actors is to tell interesting stories about interesting people.
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You have to ask yourself if you want to be the kind of actress who's interesting, or the kind of actress who's meant to play the pretty-but-uninteresting wife of a chubby guy on a network sitcom.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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I've always been fascinated by the brain. I wrote a lot about brain-tech in my first non-fiction book, 'More Than Human.' So when I decided to write science fiction, that was the technology I gravitated towards.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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It's interesting that a lot of female artists want to collaborate with me.
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Don't send out a newsletter just to send out a newsletter. One newsletter a year that is really interesting is more beneficial than 12 that are boring. If you write two or three boring newsletters in a row, your readers will start to think you write boring books.
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I think literary theory has not been terribly good for English studies in a while. It's not that theory isn't interesting, but it isn't about books, or the idiosyncrasies and complexities of putting language together.
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We don't have to think up a title till we get the doggone book written.
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As a self-published author, you have the choice. Embrace the power to create a book that is truly yours. Don't be a whiner or a copycat.
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There's a difference between publicity and marketing. A lot of writers don't realize how much marketing goes on beyond the scenes, with sales reps and advanced reading copies, all that stuff that happens months before a book is published.
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'Tis the good reader that makes the good book; in every book he finds passages which seem confidences or asides hidden from all else and unmistakenly meant for his ear.
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You know how interesting the purchase of a sponge-cake is to me.
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Generally, if you preface an interview request with, 'I'm an author writing a book,' for some reason, that seems to open a lot of doors.
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I've never written a character that wasn't burdened by years of pain and trauma. Let's face it: Most comic-book heroes have some serious baggage. Not Green Arrow. He's a healthy guy - imagine that? Carrying your hero around in your head, imagining the world through his eyes, is just a hoot.
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Don't let anyone discourage you from writing. If you become a professional writer, there are plenty of editors, reviewers, critics, and book buyers to do that.
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I can't judge the characters I play, because it's for the audience to do. What I can try to do is to understand and embody what were they going through? How did they make the decisions they made? That to me is a more interesting way to approach something, rather than saying this person is a villain and that person is this and - because it's not very interesting to play that anyway.
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Aggies have a really interesting way of admitting defeat. We've never been outscored. We just ran out of time.
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With comedy I can search for the profound.
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Isn't that interesting. All the book clubs. I've never belonged to one.
