Harry Melling Quotes
I am not sure how much Dudley will feature just because of the grand scale of the film and the fact that there are so many stories and characters to tie up. I haven't seen the film yet but I think it will be a blink-and-you'll-miss-it moment, but it was nice just to round it off and give it some closure.
Quotes to Explore
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I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
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Film has to describe and show.
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Film has played such a big part in my life, in my impressions of the United States.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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The film industry is mostly about unidimensional characters.
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It would be great to make a movie that had the style of a great '30's film.
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Being in a Woody Allen film. I cherish it.
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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I've only used my own voice about four times on film.
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I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
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Film is much more visual, a scene is typically a lot shorter, you're dealing with a lot more characters, a lot more locations, and you're able to rely on things that you just can never do on the stage.
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I love old books. They tell you stories about their use. You can see where the fingerprints touched the pages as they held the book open. You can see how long they lingered on each page by the finger stains.
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For me, 'Mommy' was about developing very humane characters that would be very credible and endearing and work onscreen.
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I don't mind playing bad guys, but I love having the opportunity to play all different types of characters.
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A film engages you emotionally and intellectually.
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I've done big studio films and the big studio films I've done, I've tried to do the interesting ones and the ones where I could live with myself in the morning.
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You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time.
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A good story cannot be devised; it has to be distilled.
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You know, I'm from the South, and I wasn't interested in perpetuating a stereotypical southern character.
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But you have to trust your instincts. Because you're not going to try it 20 different ways during rehearsal. You'll try it two or three different ways, maybe, but then you've got five other scenes you're shooting that day. You've got to keep going.
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I am not sure how much Dudley will feature just because of the grand scale of the film and the fact that there are so many stories and characters to tie up. I haven't seen the film yet but I think it will be a blink-and-you'll-miss-it moment, but it was nice just to round it off and give it some closure.
