Valeria Golino Quotes
I worked with fantastic actors, fantastic directors. People I would never otherwise have met. Was I limited? Yes. Did I use it as I could have? No. But I was always ambivalent about Hollywood and what I wanted. And ambivalence in our business is no good for success.
Quotes to Explore
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I wouldn't wish overnight success on anyone. You have no real friends. Everyone works endless hours at different studios, so far apart. Even on your own lot, relationships were formal and often competitive.
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I don't know how many people have ever seen the National Guard break in somewhere, but they mean business.
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Women in their 40s have gone through quite a few different things, and so the roles are going to reflect that. People say, 'Oh, it's done by 40,' and now everyone knows it's not. I actually feel like the roles are a lot more interesting.
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I find great beauty in songs with a creative interpretation, but most people generally don't get that, and go for the simple songs, but I prefer something a bit more complicated, which is more meaningful to the creator.
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I went to my son's graduation this weekend, and I heard a great quote I've never heard before from Albert Einstein. It was that the greatest danger to the world is not the bad people but it's the good people who don't speak out.
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Back in the day, when the D.J. would be playing a record, I'd be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that that's the role that I wanted to take on. I wanted to be the one that was hyping, because I've always been good at it. I can hype up any crowd.
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There are millions of Americans outside Washington who are tired of stale political arguments and are moving this country forward. They believe, and I believe, that here in America, our success should depend not on accident of birth, but the strength of our work ethic and the scope of our dreams.
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When two people in an intimate-couple relationship look at their interactions as opportunities to learn about themselves instead of change each other, they are infusing their relationship with the energy of spiritual partnership.
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It's very important for cities all around the world to reinvent themselves, and Glasgow is a good example of that. The Scots are very nice. I don't think they are burdened by their history.
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The more people pointed at me in scorn the more stubborn I got and when they began calling me the Bad Girl of West Seattle High, I tried to live up to it.
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People are slow to claim confidence in undertakings of magnitude.
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I never seek controversy or foresee it for my pictures. I take a personal stand, and perhaps because my films are on contemporary subjects, people do not share my point of view.
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I didn't allow failure to break my heart. So I wouldn't allow success to bloat my head.
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Capitalism offers you freedom, but far from giving people freedom, it enslaves them.
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I do that mostly because I believe that the fantasy business is in terrible trouble right now, for several reasons, not the least of which being the almost Democrat vs. Republican mentality of readers on the Internet.
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You may grow very quickly the first two years and then watch the business decline, unless you really start selling product at any price range with various degrees of quality.
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Democrats hate success.
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Canada was my whole world and my whole reality, and now I meet people who've never been there, and it's like, 'You've never been to my whole world?'
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One of the things that I found very confronting in my early working life was that people thought I was some sensitive doe-eyed lovelorn boy, because they'd seen me do that a couple of times. What tends to happen is you get a run of similar roles.
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Only the lonely know the way I feel tonight.
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I came from a family of Marines into the family of Marines.
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I'm working with the March of Dimes to help make sure more babies have the chance of tomorrow.
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To say of a picture, as is often said in its praise, that it shows great and earnest labour, is to say that it is incomplete and unfit for view.
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I worked with fantastic actors, fantastic directors. People I would never otherwise have met. Was I limited? Yes. Did I use it as I could have? No. But I was always ambivalent about Hollywood and what I wanted. And ambivalence in our business is no good for success.
