Nicholas Lea (Nicholas Christopher Herbert) Quotes
Supporting characters add depth to a story, and great actors leave their imprint with the audience.
Quotes to Explore
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I joined the Army at 19 as a soldier and spent about four and a half years with them. Then I broke my back in a freefall parachuting accident and spent a year in rehabilitation back in the U.K.
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When people embrace character, there's latzie. It's the stuffing of a scene that's not written. It's not in the stage direction and it's not in the words. When people embrace character, it informs their living, breathing moments in a scene so well.
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There's a big link between trains and film. One of the first filmed objects was a train. The clickety-clack of the projector and the clickety-clack of the train are similar. There is the idea of the voyage - every voyage is a story. I wonder if film would have been invented without the train.
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I've only gotten directly offered two or three movies, ever. I don't have the luxury of being able to say no a lot, and I don't really have the luxury of just getting to pick and choose certain things. If I did, I probably would choose even more different roles than I've played.
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People are told their rights when they're arrested. Consumers getting collection letters are entitled to the same courtesy.
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There are too many books I haven't read, too many places I haven't seen, too many memories I haven't kept long enough.
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I can't take the theater side out of myself.
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Hamas has effectively kidnapped Gaza. Instead of turning it into the Singapore of the Middle East that was promised, they have turned it into a fortress of terror.
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Tonight Illinois has set a tone for the nation, that we won't stand idle hoping that our economy improves. This is a brand new day for the Illinois Republican Party.
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I'm interested in morality and mortality, and 'Deadpool' kind of has all of these themes.
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The cost of pension reforms has been perhaps the biggest error committed in the process of modernizing Bolivia's economy.
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You'd never look at a Rembrandt and say, 'That's just wood and canvas and paint - how much?!' It's all about how many people want it. It works on a pair of jeans as well - they're just material and stitching, and as soon as you walk out of the shop, they're worth nothing.
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Beauty, sweet love, is like the morning dew, Whose short refresh upon tender green, Cheers for a time, but till the sun doth show And straight is gone, as it had never been.
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Many years ago... many, many years ago, I brought up a boy, and I said to him, 'Son, if you ever become a writer, try to write a good part for your old man sometime.' Well, by cracky, that's what he did!
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When I cook certain dishes, I smell my grandmother's kitchen, my grandmother's smells. I thought, 'What a wonderful way to tell a story.'
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I can't change the past, and I don't think I would. I don't expect to be understood. I like what I've written, the stories and two novels. If I had to give up what I've written in order to be clear of this disease, I wouldn't do it.
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If 'Married With Children' hadn't come out when it did, would we really be looking at 'Roseanne,' 'The Middle,' and 'Raising Hope' and being, like, 'Look at how stereotypical they are to lower-income white people!'
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Georgia O'Keeffe proposed that I live with her. She was in New Mexico then, and I wanted to be in New York.
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A planned life is a dead life.
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My role in 'Slumdog Millionaire' was a cameo, but it did expose me to cinema and took me to Cannes. I then did 'Prague,' which was a very niche film.
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That's the thing about acting - it does have the feeling of downhill skiing. When it's really all going right, you know your lines, you know what's important to your character, you pick the strongest reactions possible to elements in the story. But then you let it all go and you're in the moment and stuff happens. It surprises you and it's super strong; it's like you're living life in a slightly heightened way in the time between "action" and "cut."
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I abhor crime novels in which the main character can behave however he or she pleases, or do things that normal people do not do, without those actions having social consequences.
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Kids today and for the last 20 years have held the fork and knife in unbelievable ways. They hold the fork with a fist and the knife like a saw and they shovel it in. It doesn't matter to them which way they hold their knife and fork. They eat every which way. I'm amazed they get food into their mouths at all.
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Supporting characters add depth to a story, and great actors leave their imprint with the audience.
