Michael B. Jordan Quotes
We were shooting this movie called "Hardball," with Keanu Reeves. We shot in the city, and I just remember I couldn't really do too much. At 13 or 14, you couldn't go out to any nightlife.
Quotes to Explore
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In the end, I think the majority of Romanian society will understand that if we respect environmental protection standards, if we have benefits in taxes, royalties, jobs, we should do what all the modern countries in Europe and beyond are doing to take advantage of their natural resources.
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I would love to work with Anthony Hopkins; I would love to work with Meryl Streep; I would love to work with DeNiro; I would love to work with Johnny Depp; I'd love to work with Brad Pitt, Matt Damon, Gwyneth Paltrow... I think she's amazing.
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Being innovative in your philanthropy allows you to stride forward in your giving journey; you can marry your mind and heart to turn charity into lasting impact; and you can become more ambitious in your giving.
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From 'Trainspotting' to 'Acid House,' I moved from urban realism into fantasy.
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I think art is more glorious than life but not more real.
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I never limit myself when it comes to telling stories; I think people can see that in my body of work. It's just about, 'What's a great story? Is it unique? Is it a challenge?'
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The name 'Republican' in some ways has been hijacked by obstructionists.
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The true, prescriptive artist strives after artistic truth; the lawless artist, following blind instinct, after an appearance of naturalness. The one leads to the highest peaks of art, the other to its lowest depths.
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During one scene, I had to do a shooting drill. He put a psychological spin on it.
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Together we can decrease the level of violence, raise awareness of our activities and save lives around the world. The impact of a day of global ceasefire and non-violence cannot be underestimated.
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In the environment of the mobile Internet, there is value and need to explore every commercial context. What I care about is not just technology but the changes in people's behavior in this environment, which makes it possible that everyone can get connected with everyone else.
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'Another Brooklyn' came to me in this kind of dreamlike series of vignettes.
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Horror movies have never been my thing. I love psychological thrillers like 'The Exorcist', 'The Shining', even though they scare the living daylights out of me.
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I see myself a humble man, and I tell you I have no ambitions to be president.
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The vast majority of Americans believe you don't discriminate. You don't. We honor each other. We don't all see life the same way. We don't. We're Americans.
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I'm quite a good listener, and I'm good at looking after people.
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I have this old worn-out, skintight T-shirt that I love. That's sexy.
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I was scared when I went to Conde Nast. I had heard horror stories about how they used you up and then spit you out and went on. But there was this great history of photography that had been done there.
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No one's played on the moon yet. No one's played in zero gravity. Some bands have played at the Pyramids of Giza, but we'd very much like to do that in the near future.
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In the flush of love's light, we dare be brave. And suddenly we see that love costs all we are, and will ever be. Yet it is only love which sets us free.
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Anyone who has raised more than one child knows full well that kids turn out the way they turn out - astonishingly, for the most part, and usually quite unlike their siblings, even their twins, raised under the same flawed rooftree. Little we have done or said, or left undone and unsaid, seems to have made much mark. It's hubris to suppose ourselves so influential; a casual remark on the playground is as likely to change their lives as any dedicated campaign of ours. They come with much of their own software already in place, waiting, and none of the keys we press will override it.
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There is no way Israel will deal with the Palestinians if the Palestinians do not understand the suffering of the Jewish people.
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I remember being an art student and going to the Whitney in 1974 to see the exhibition of Jim Nutt, the Chicago imagist. It was then I transferred to school in Chicago, all because of that show.
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We were shooting this movie called "Hardball," with Keanu Reeves. We shot in the city, and I just remember I couldn't really do too much. At 13 or 14, you couldn't go out to any nightlife.
