Ernie Isley Quotes
Quotes to Explore
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When all your stuff gets smashed, everybody gives you new stuff. And when you've been playing the same guitar since you were like 12, that's a lot like dancing with somebody else's wife.
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I actually bought a travel guitar, and that guitar is really cool. You can actually fold the guitar, and you can plug headphones into it, but it's acoustic, or semi-acoustic.
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I took piano lessons when I was really young, like five years old, and I didn't really enjoy that very much. It was kind of too strict. So when I was probably 11 or 12, I started playing guitar and just kind of taught myself.
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Like, when I write a song, the song comes first before production. Everything is written on an acoustic guitar so you can strip away everything from it and have it be equally as entertaining and good without the bells and whistles.
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As long as I can remember, growing up we had a guitar around our house, and I was always plucking on it.
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You feel this pressure that people will take you more seriously if you play guitar, but I've decided I'm a singer and that's enough.
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I'm a bass player from way back and Paul is a guitar player and we've been in many bands.
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I have to practice to be good at guitar. I have to write 100 songs before you write the first good one.
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I played a lot of keyboards, but I really wanted to produce the sound that was in my head that I was trying to emulate on the keys. I wanted to do it for real. And it makes me look at the keys in a different way. So it's like I'm looking at the guitar and bass more like meat and potatoes and keys like coloring over top of it, you know.
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When I finally put my guitar in the case the last time, I want to be remembered just as a singer, not as a country singer or pops singer - just a singer.
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My dad always played a lot of music, so I heard him playing all the time, and then I decided that I wanted to learn to play guitar, so I got an acoustic and started taking lessons. I wanted to be able to shred like Yngwie Malmsteen.
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The first song I learned on the guitar was a Kenny Chesney song called 'What I Need to Do'; it was just an easy song to play... and it was really cool to see that come full-circle a few years later and have him record a song that I was part of.
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I wanted to shred, so I learned classical guitar.
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When I was 15, I begged my grandfather to give me this guitar he'd always had in the back of his closet. I promised him I'd learn to play it, but I never did. Then my grandfather died, and I felt so guilty. So I started playing.
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There's no continuity in videos... you can jump around all over the place. In features, you can't throw in a close-up of a musician stomping on a guitar - you have to film a scene.
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I am a self-taught water skier and wind surfer.
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As I try to get around with a guitar, a banjo and a suitcase of high heels and dresses, I treasure that little ukulele.
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Nobody seems to play Yamaha electrics, but it's the best guitar I own.
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I went to my friend's house one day, and he had an electric guitar he had just bought with a tiny little amp. I turned the volume up to 10 and I hit one chord, and I said, I'm in love.
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Playing guitar is a never-finished journey.
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Chance in music doesn't have to involve the I Ching or rolling dice or throwing yarrow stalks. It can involve an out-of-tune guitar, or other impossible-to-replicate moments of awkwardness - even more so than an awkward, out-of-tune live performance, because there's something incredible about the way that an out-of-tune guitar becomes part of the song on a record. I won't be precious and say it's part of the composition - that's nonsensica l - but chance occurrences are so crucial to what's distinctive. It's the fingerprints all over so many of these recordings.
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Envy is the bond between the hopeful and the damned.
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I'm just observing. I don't ever want people to think I'm preaching at them or wearing them out.
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I got my first guitar in October of 1968. I'm self-taught.
