Michael Bergin Quotes
Quotes to Explore
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My style is very inspired by both my parents, so we all have the same taste.
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My narrative style centers around intimate, highly subjective depictions of personal experience and internal landscapes. In 'March,' everything fell into place as soon as I began identifying strongly with John Lewis as a young boy and saw how we shared the same kind of gravity and intensity as youngsters.
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The fossil record is incredible when it preserves things, but it's not a complete record.
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It would be great to make a movie that had the style of a great '30's film.
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Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
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Simply, there are many things I would like to do.
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The only things I'm competitive in are backgammon and poker.
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A feel-good style can be a symptom of unawareness or lack of caring.
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On some level, you could say you wouldn't have 'In Style Magazine' at all had Anna Wintour not decided to put celebrities on the cover of 'Vogue' from her earliest years as Editor in Chief.
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I started doing yoga in college, so that has just become a staple of a self-care routine for my mind and my body. My body craves it at this point, so I do it two to three times a week, sometimes more. I practice Vinyasa style yoga and sometimes mix it up.
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I started learning everybody's riffs, from Donny Hathaway to Jeffrey Osborne to James Ingram. That helped me create my own style of singing.
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A style is not a matter of camera angles or fancy footwork, it's an expression, an accurate expression of your particular opinion.
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People actually perceived me with being this cat from the Bronx because I'm one of a handful of folks that was actually acting in 'Wild Style'.
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Not that I want to put the entire rap music style down - I just don't like it. And I know somewhere there's gotta be another guy like that. There's gotta be a guy just like that - just like me. There's gotta be somebody, somewhere... Maybe, maybe an assassin type.
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The nature of things is dharma.
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The fellows that I played with encouraged me to bunt and beat the ball out. I was anxious to make good and did as I was told. When I came to Brooklyn, I adopted an altogether different style of hitting. I stood flat-footed at the plate and slugged. That was my natural style.
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I dress according to the requirement of the film, as a true actor. Off the camera, I'm just me. I have my preferences and my personal style. Before I step out, I look into the mirror just to confirm that my style is intact. Beyond this, it doesn't matter.
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All my editors since Malcolm Cowley have had instructions to leave my prose exactly as I wrote it. In the days of Malcolm Cowley, with 'On the Road' and 'The Dharma Bums', I had no power to stand by my style for better or for worse.
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I believe that if you think about what style means, you won't become a fashion victim.
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If we live good lives, the times are also good. As we are, such are the times.
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I didn't believe in systems. Everything human was imperfect and ultimately absurd. What did I believe in then? In humor. In laughing at systems, at people, at one's self. In laughing even at one's need to laugh all the time. In seeing life as contradictory, many-sided, various, funny, tragic, and with moments of outrageous beauty. In seeing life as a fruitcake, including delicious plums and bad peanuts, but meant to be devoured hungrily all the same because you couldn't feast on the plums without also sometimes being poisoned by the peanuts.
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I didn't know a damn thing about style.
