Esperanza Spalding Quotes
I always say that the problem with jazz accessibility is not the content of the music, it's people's ability to access it.
Quotes to Explore
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We worked on solving the problem of voice communications in a noisy military environment. We established military codes that are highly audible and invented selection tests for personnel who had a superior ability to recognize sound in a noisy background.
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When I was younger, I was fascinated by David Bowie, for example. he had created an entire myth around himself. It was as important as his music.
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Our problem is not adopting reforms, which we will do without question. It is not reaching an objective, which we will meet. But it is finding an end to the recession.
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My sister, singer Jessie Ware, and I are always exchanging music. We brainstormed her wedding playlist for months.
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From a very young age, music was very much in my house. I would sit with my mom, with the old LPs, listening to The Beatles and Carly Simon and Lionel Richie. The old LPs used to have the lyrics. From there, I would put on dance and music displays for my family, just to entertain them and make people laugh and smile.
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I'm in fact Australian but my mother's English so I've got no problem playing a domineering English woman.
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The problem is too often they are boring, and boring in a meeting happens for the same reason as in a book or movie - when there is not enough compelling tension. Meetings should be intense.
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I joined the Madras Christian College but dropped out after three months. Telugu music director Ramesh Naidu asked me to assist him, and I did so for over a year. I did think of rejoining college, but by then, I was discovering the musician in me. I worked with Illaya Raja and Raj Koti and soon shifted to commercials. This led to movie offers.
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The problem is not the occupation, but how people deal with it.
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We are neurologically hardwired to seek out people like ourselves. We start forming cliques as soon as we're old enough to know what acceptance feels like. We bond together based on anything that we can - music preference, race, gender, the block that we grew up on.
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My father's music gives hope to people and also inspires them to break the bonds of injustice and to be positive in life. I've seen that everywhere I go, especially in poor countries and poor neighborhoods.
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This is fun; consuming our music shouldn't be a responsibility like eating your spinach or something.
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The academic area of new music or modern music festivals is not something which attracts me at all.
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A lot of the lessons that are taught in football will promote success in anything you get into after football; for me, it just happens to be music. Being disciplined. Good character. Trying to do the right thing, and working hard.
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People used to say my music was too difficult or too obscure, and I never set out to be difficult or obscure. I just set out to write what I felt as honestly as I could, and I am delighted when other people feel a part of themselves in the music.
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I don't love the whole Hollywood mentality, but I do love the weather and how motivated everyone is around here. It motivates me to make fun music. I'm an East Coaster - I'm from New Jersey, so I'll probably feel like that forever.
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When I'm actually getting off the bus, I still have my gospel playing. That's the way-to-the-game kind of music.
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I'm not a very spiritual guy when it comes to music. I remember hearing Carlos Santana say that angels helped him write his songs. And I thought, 'Really, angels?'
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If you grow up playing in church, it removes a lot of the boundaries that other musicians might have, growing up with sheet music or whatever.
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I decided I would rather have a day job and love music than to play music that made me hate it.
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No one who is in this world will deny that evils exist. What, then, do we say? That evil is not a living and animated substance, but a condition of the soul which is opposed to virtue and which springs up In the slothful because of their falling away from good.
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I've had rooms that didn't come out to my liking.
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I always say that the problem with jazz accessibility is not the content of the music, it's people's ability to access it.
