Essie Davis Quotes
Quotes to Explore
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I'm an actor; I want to play roles, not a role.
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Whatever you want to do in the industry, do it on the smallest level at first. If you want to be a writer, write a screenplay in your house. If you want to be an actor, put on a one-man show. If you want to be a stand-up comedian, go to an open mic.
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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I find that communication as an actor and person is an important part of who I am. And I'm really drawn into the psychology of those dynamics.
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Peter Sellers was just a brilliant actor, and also comedic.
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TV and films are same for me. I took a decision to be an actor, and I am an actor. I never decided to be TV actor or film actor.
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I'm an actor, of course, so I like to show off.
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Major film stars tend to do a film and then have a couple of months off. I'm not a major film star; I'm a jobbing actor.
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After I directed, when I went back to being an actor, I was like, 'God, this is the life!' Because you only have to concentrate on one thing.
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I'm not partial to any system, but at the same time, I'm a Korean actor, so I expect to work mainly on Korean projects.
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It was never my goal to be an actor.
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The actor's popularity is evanescent; applauded today, forgotten tomorrow.
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Just about every actor wants to be a Disney cartoon voice at some point.
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You can always tell an actor by the bored look in their eye whenever someone else is talking.
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I'm a terrible actor. I would suck in films! The only way I would do well is if I was playing myself, which is what I did in my career.
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I'm no actor, and I've got 64 pictures to prove it.
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We joke about it in the entertainment industry: Every actor wants to be a musician, and every musician wants to be an actor.
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Musical types tend to combine the burden of the author with the burden of the actor.
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An actor is part illusionist, part artist, part ham.
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No two persons ever read the same book.
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Goal scoring is a recurring theme. If you aren't scoring then you aren't going to win games. That's obvious.
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When you're working on a play like 'Sloane,' that play works; you don't have to worry about that. When you're working on a new play like 'Little Dog,' you have no clue if the play works. You're exploring.
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I'm just a very fortunate actor who has not been typecast.
