Estelle Quotes
I went to New York and Miami and hung out by the beach, and I love the American boys, so I wrote a song about it.
Quotes to Explore
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The New York Times Bestseller 'The Amateur,' written by Ed Klein, former editor of the 'New York Times Magazine,' is one of the best books I've read.
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When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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We played 'Girl in a Country Song' in front of Scott Borchetta, and he loved it.
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I love a good Dorothy L. Sayers.
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If you want to establish an international presence you can't do so from New York. You need the consecration of Paris.
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I never had intention of coming to New York or L.A. and actually doing more than scraping by - you know, doing plays. And as my career sort of progressed of its own volition, I did come to New York.
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I've been doing this career for a really long time, but there was not a lot of reason, at the time when I wrote 'Fight Song,' to believe that I should keep going.
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When you fly to New York, sometimes they put you on hold and you just go round and around in a holding pattern. Sometimes in a concert, I feel other spirits in a holding pattern that they want to land through my heart and through my fingers.
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I'm from New York. I have a non, neutral accent. It can go any way you want.
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If I had my choice, I'd pick a song that tells a story every time. There is a great deal of pleasure in doing the vocal on a number that you can put feeling into.
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There's something so wonderful about being an actor in New York.
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The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.
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'God Made Girls' was such a success for me. I'm so blessed to have over half a million downloads on that song. I was the highest-charting new female in 2014, and I couldn't have done that without Big Machine and their support.
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I can't just sit down and make a song in a day. It's only possible if you focus on the music and not the sound.
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I want to be a New York Giant for a very long time.
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'Wuthering Heights' was not your normal type song - but that's why it was so brilliant. It was something out the norm. When something like that comes along, they don’t come along that often. When does the next Kate Bush come along, after Kate Bush? There hasn’t been one.
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But now if I can wrap myself up in that song, and when that song gets to be a part of me, and affects me emotionally, then the emotions that I go through, chances are I’ll be able to communicate to you. Make the people out there become a part of the life of this song that you’re singing about. That’s soul when you can do that.1
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The idea of letting a recording be a moment in time appealed to me. With digital recording, it's easy to create a perfect text of whatever song you have.
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It's the way you play that makes it. What I say is, for Christ's sake, you don't have to kill yourself to sing. Play like you play. Play like you think, and then you got it, if you're going to get it. And whatever you get, that's you, so that's your story.
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We are not animals. We are not a product of what has happened to us in our past. We have the power of choice.
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Fame and all that type of stuff is inevitable, but I'm very content having a good band with no negativity, and everyone is on the same page.
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I went to New York and Miami and hung out by the beach, and I love the American boys, so I wrote a song about it.
