Estelle Parsons Quotes
Quotes to Explore
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Women are the first to jump on what is fashionable.
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I like to think I'm a role model for women. But I also don't like to just limit it to women. I like to think I'm a role model for human beings in general.
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I feel like Adele is a diva. Not in the bad way. She is one of the greatest voices of this industry and of her own art. What she offers is so unique that she's risen to such a status that very few artists can enjoy.
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But all over Ohio - all over America - men and women are going back to work with the pride of building something stamped 'Made in America.'
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If women had to promise to provide for a man for a lifetime before he removed his veil and showed her his smile, would we think of this as a system of female privilege?
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I don't know if women are meant to run, especially after having kids.
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The workingmen have perceived that women are in the field of industry to stay; and they see, too, that there can not be two standards of work and wages for any trade without constant menace to the higher standard.
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Women basically want the same thing - a good passionate story, a great fantasy - and for our partners to do the laundry and the washing up.
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I started to think of Grace of Monaco as a metaphor for women in general.
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These women were taking over these former manufacturing warehouses in SoHo and figuring out a way to be fashionable and viable without money. It's hard to imagine a life like that in Manhattan now - there's something romantic about it.
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So when you start touring, women are definitely going to check you out first.
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All artists are crazy.
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I've realized how important it is to have women in your life. You get to a certain age where you're like, 'I need women around.'
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To understand the fanatic rejection of women's liberation in the Muslim world, one has to take into account the time factor. Most of us educated women have illiterate mothers. The conservative wave against women in the Muslim world is a defense mechanism against profound changes in both sex roles and the touchy subject of sexual identity.
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My hope is that we will inspire more lesbians to get politically engaged. For too long, lesbian women have been left out of politics.
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I often don't read reviews.
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Women are nothing but machines for producing children.
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I think it's a question which particularly arises over women writers: whether it's better to have a happy life or a good supply of tragic plots.
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Women look at the full measure of the man, not just one comment.
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Character is character and voice is voice, which translates nicely from writing novels to writing TV. But the process is different. You have a writer's room, people pitch you jokes and you collaborate.
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There is always a bit of pressure to do a good album - to do good work, period. I really put a lot of pressure on myself, more so than other people. But I try not to let that overwhelm me to the point where I can't even do good work. I just put it aside and do the best that I know that I can.
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I can give substantive advice to the administration, the president's campaign, or any campaign that would ask for it. And, of course, when I speak I can talk about my views on policy and I have been supportive of the president's policy on leading foreign-policy issues.
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Firestarter' was a risk, we had never done a fully vocal track before and Keith had never sung before. It was hardly the safe option. We could have turned out the same old tunes over and over again, but that's not what The Prodigy are about. We are about taking risks.
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I find that there are few reviews that extol women as wonderful artists.
