Michael Caine Quotes
Quotes to Explore
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My first novel, 'In the Drink,' begun when I was 29 and floundering and published when I was 36 and married, was about a 29-year-old woman whose life was even more screwed up than my own had been.
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The wind is a very difficult sound to get. It's always changing.
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But I think we need to remember that democracy everywhere is by its nature incomplete, a work in progress.
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The first temptation, upon meeting an old friend after many years, is always to - look the other way.
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The one thing you don't want is that stale sound when you've done a line so much you can't find a fresh approach to it. Drop it.
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I'm a relatively ugly character who's done pretty damn well in film.
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When I grow up I wanna be like Omar
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Attack your instruments. Don't let them attack you.
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I think there's more pressure to stand out in a way that is measurable externally. The fame culture is definitely way worse and weirder than it was when we were in high school.
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There is no happiness. There is only concentration.
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In business, I loved cars. I couldn't wait to get to work in the morning. Only in America can you decide to get a good education and pursue what you like.
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I pursue one goal the encyclopaedia of life.
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I feel that everyone has a Hulk inside, and each of our Hulks is both scary and, potentially, pleasurable. That's the scariest thing about them.
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It's so important to create roles and characters and projects that feature black people in a way that's not specifically targeted toward the niche market, which is, like, a black movie is created and it's produced and pitched so that only black people will watch it ... I want to see dynamic characters and roles that everyone wants to watch.
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I say to myself: "Who are you to measure infinite power?
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I had wrung impressionism dry and I finally came to the conclusion that I know neither how to paint nor how to draw.
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There are so many young talented actors today whose work I respect and admire - Ryan Gosling is probably primary among them. I take inspiration from so many amazing actors.
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First we pre-visualized it [the flying fish scene in 'Life of Pi'] so the actors could act. It took a long time to get that to come to life and to design those coming out of the screen. We had great fun with that. It takes a long time, a year maybe.
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I think the writing and the casting and all of that has so much to do with actors becoming their characters. I think if an actor is right for a role, casting sees that and the words that are on the page, depending on how it's written, can really help your character develop.
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Actors have no color. That's the art form.
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The momma bears are demanding, 'Protect our kids.'
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In England, I was a Cockney actor. In America, I was an actor.
