Michael Caine Quotes
Quotes to Explore
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My first novel, 'In the Drink,' begun when I was 29 and floundering and published when I was 36 and married, was about a 29-year-old woman whose life was even more screwed up than my own had been.
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The wind is a very difficult sound to get. It's always changing.
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But I think we need to remember that democracy everywhere is by its nature incomplete, a work in progress.
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The first temptation, upon meeting an old friend after many years, is always to - look the other way.
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The one thing you don't want is that stale sound when you've done a line so much you can't find a fresh approach to it. Drop it.
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Being an actor sometimes requires that you ask yourself questions youd rather not know the answers to.
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I'm a relatively ugly character who's done pretty damn well in film.
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When I grow up I wanna be like Omar
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Attack your instruments. Don't let them attack you.
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I think there's more pressure to stand out in a way that is measurable externally. The fame culture is definitely way worse and weirder than it was when we were in high school.
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There is no happiness. There is only concentration.
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In business, I loved cars. I couldn't wait to get to work in the morning. Only in America can you decide to get a good education and pursue what you like.
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I pursue one goal the encyclopaedia of life.
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I feel that everyone has a Hulk inside, and each of our Hulks is both scary and, potentially, pleasurable. That's the scariest thing about them.
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A tattoo is a true poetic creation, and is always more than meets the eye. As a tattoo is grounded on living skin, so its essence emotes a poignancy unique to the mortal human condition.
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It's so important to create roles and characters and projects that feature black people in a way that's not specifically targeted toward the niche market, which is, like, a black movie is created and it's produced and pitched so that only black people will watch it ... I want to see dynamic characters and roles that everyone wants to watch.
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There's something very special about playing for Liverpool.
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Generally a wise actor will be very careful about the person to whom he gives that power.
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It was when I was on the set of Dead Poets Society.There was actor,his name was Norman Lloyd. One day he took us all aside and said, "You guys don't even understand what a powerful experience you're having. You don't really understand what a gift this is." We were going, "What does he mean?" It was that really wonderful opportunities aren't to be taken for granted. I often found that it had embedded itself in my memory.
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In difficult times, people too often lose the ability to face the future optimistically. They begin to think about their tomorrow's negatively. They forget that the tough times will pass. They concentrate on the problems of today rather than on the opportunities of tomorrow. In so doing, they not only lose the potential of today, they also throw away the beauty of tomorrow.
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In England, I was a Cockney actor. In America, I was an actor.
