Haruki Murakami Quotes
I dream. Sometimes I think that’s the only right thing to do. To dream, to live in the world of dreams. But it doesn’t last forever. Wakefulness always comes to take me back.
Quotes to Explore
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The college years are when you sow all your wild oats and become a vampire. By 40, you've lived it up. At least, you hope.
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I know I'm good enough. I don't need to show it to you. Either you know who I am, or you don't.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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I am ashamed to run against a lady. It's demeaning, very degrading. I have always refused to argue with a lady.
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Being an economist is the least ethical profession, closer to charlatanism than any science.
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Being a full human being is difficult, frightening, and problematical.
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I'm not comparing myself to Bobby Kennedy by any stretch, but he was opposed by the liberal establishment, too. Eleanor Roosevelt was the biggest opponent to him running.
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What's completely insane to me is that people would consider music that's simple to be dumbed-down. Couldn't simplicity be a deliberate, smart choice?
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People throw away what they could have by insisting on perfection, which they cannot have, and looking for it where they will never find it.
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I have spoken to a whole group of millionaires, head executives at Microsoft. Boy did I chew those guys out.
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'Evita' was four pieces of slick paper and a record album. It's the most scary, to sit down and dictate a musical scene by scene. It was a musical unlike anything I'd ever seen before myself.
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Right after 'Desperate' sold to China, we were the most watched show around the world at the time. That's really something great to be a part of.
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It's not easy to shout against real elements. The elements are big, and the human voice is very small.
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I was not only twenty-three, but a conspicuously retarded twenty-three.
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An indescribable oppression, which seemed to generate in some unfamiliar part of her consciousness, filled her with a vague anguish...like a shadow... a mist passing across her soul's summer day.
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It's a strange moment, the moment of creating characters who up to that moment have had no existence. What follows is fitful, uncertain, even hallucinatory, although sometimes it can be an unstoppable avalanche. The author's position is an odd one. In a sense he is not welcomed by his characters. They resist him, they are not easy to live with.
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You can ask the people around me. I don't give up. I don't give up... and it's not out of frustration and desperation that I say I don't give up. I don't give up because I don't give up. I don't believe in it.
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For me, I look at a pilot and go, 'I see the landscape. I see the characters. I see the direction and the potential of the story.' And I also go, 'That didn't work. I could change that. Maybe that works. I don't know. We'll see.' For me, I look at it, as an actor, as what can I improve upon?
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I'm a generally optimistic person.
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I think it's very hard in this day and age to raise little girls with morals, ethics and values, and them knowing that they are precious creations and that they are important.
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It's in the private places of the heart that freedom is made or unmade by the discipline we create there.
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We are not coaching on a daily basis because we often travel with our charity and commercial interests.
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I dream. Sometimes I think that’s the only right thing to do. To dream, to live in the world of dreams. But it doesn’t last forever. Wakefulness always comes to take me back.
