Haruki Murakami Quotes
In Japan, the writers have made up a literary community, a circle, a society. I think 90 percent of Japan's writers live in Tokyo. Naturally, they make a community. There are groups and customs, and so they are tied up in a way.
Quotes to Explore
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I know that there are going to be people that don't like my music, but I think in the industry itself it is always that, 'Oh. you're from the 'X Factor.' There have been certain radio stations that will not play your song because you are from the 'X Factor,' yet they'll play another song from an artist from another TV show.
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The art of creation is older than the art of killing.
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I just grew up watching a lot of movies. I'm attracted to this genre and that genre, this type of story, and that type of story. As I watch movies I make some version of it in my head that isn't quite what I'm seeing - taking the things I like and mixing them with stuff I've never seen before.
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In midlife, we're as dumb as we get.
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We all want more information available when making health care decisions for ourselves and our families.
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To try to write a grand cosmical drama leads necessarily to myth. To try to let knowledge substitute ignorance in increasingly larger regions of space and time is science.
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I saw the pilot for 'Girls' about six months before it aired.
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If you don't learn to laugh at troubles, you won't have anything to laugh at when you grow old.
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Gluttony is not a secret vice.
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I did a movie called 'Quicksand No Escape' with Donald Sutherland and Tim Matheson. I think I was maybe 5. I was really little. Yeah, it was fun. And actually, Felicity Huffman played my mom.
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I wake up every morning and I feel like I'm juggling glass balls. I live in Los Angeles, my business is run out of London, and most evenings I'm cuddled up in front of Skype, in my dressing gown, speaking with my studio in London. I travel a lot, my team travel a lot, but I wouldn't have it any other way.
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You cannot get involved in debate on 'MOTD'. You can do it on Sky because they've got hours and hours. We've got a couple of minutes. It's a very disciplined show. Our primary purpose is to show the action, and the analysis is very secondary. We have lots of people who would prefer no analysis. We have lots of people who would prefer more analysis.
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The thing about the classics it that they are such great characters, they have a great deal of depth and different layers to them. I always find that very stimulating to play.
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No nation ever yet found any inconvenience from too close an inspection into the conduct of its officers, but many have been brought to ruin and reduced to slavery by suffering gradual impositions and abuses.
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My own style is pretty classic; I much prefer to design for others.
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I get described as 'interesting' a lot. People often call me odd, too. Maybe they mean ugly. Given the services of a plastic surgeon, I would get a pair of cheekbones.
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The whole experience of 'Eastbound' has been completely unexpected and super-surprising every step of the way.
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Looking back, we had the hard time, but the privilege, of actually coming up playing biker bars and little bitty college bars.
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Algorithms are great, but they're very limited in what they can do as far as playing songs and playing a mood.
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My family really isn't so different from yours.
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I do think - the metaphor I always use - it's the role of intelligence community to stay down in the engine room and shovel that intelligence coal, and people on the bridge get to decide where to drive the ship and how fast and how to arrange all the deckchairs.
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At times, I find a degree of inflexibility in the more traditional homosexual community that seems to me to be every bit as 'straight' as straight.
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In Japan, the writers have made up a literary community, a circle, a society. I think 90 percent of Japan's writers live in Tokyo. Naturally, they make a community. There are groups and customs, and so they are tied up in a way.
