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You always look so cool, like no matter what happens, it’s got nothing to do with you, but you’re not really like that. In your own way, you’re out there fighting as hard as you can, even if other people can’t tell by looking at you.
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Any explanation or logic that explains everything so easily has a hidden trap in it. I'm speaking from experience. Somebody once said if it's something a single book can explain, it's not worth having explained. What I mean is don't leap to any conclusions.
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When I write about a 15-year old, I jump, I return to the days when I was that age. It's like a time machine. I can remember everything. I can feel the wind. I can smell the air. Very actually. Very vividly.
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Strong and independent? I’m neither. I’m just being pushed along by reality, whether I like it or not.
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Before I became a writer, I was running a jazz bar in the center of Tokyo, which means that I worked in filthy air all the time late into the night. I was very excited when I started making a living out of my writing, and I decided, 'I will live in nothing but an absolutely healthy way.'
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If you only read the books that everyone else is reading, you can only think what everyone else is thinking.
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Lots of different ways to live and lots of different ways to die. But in the end that doesn't make a bit of difference. All that remains is a desert.
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Possibilities are like cancer. The more I think about them, the more they multiply, and there's no way to stop them. I'm out of control.
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If you're going to while away the years, it's far better to live them with clear goals and fully alive then in a fog, and I believe # running helps you to do that. Exerting yourself to the fullest within your individual limits: that's the essence of running, and a metaphor for life.
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Find me now. Before someone else does.
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I’m just kinda tired. Like a monkey in the rain.
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My heroes don't have anything special. They have something to tell other people but they don't know how, so they talk to themselves.
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I can't imagine how American readers will react to a novel, but if the story is appealing it doesn't matter much if you don't catch all the detail. I'm not too familiar with the geography of nineteenth century London, for instance, but I still enjoy reading Dickens.
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The answer is dreams. Dreaming on and on. Entering the world of dreams and never coming out. Living in dreams for the rest of time.
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Her smile steps offstage for a moment, then does an encore, all while I'm dealing with my blushing face.
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My imagination is a kind of animal. So what I do is keep it alive.
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Things can be seen better in the darkness," he said, as if he had just seen into her mind. "But the longer you spend in the dark, the harder it becomes to return to the world aboveground where the light is.
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A girl doesn't always want to go out, you know, Mr. Wind-Up Bird. Sometimes she feels like being nasty--like, if the guy's gonna wait, let him really wait.
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My biggest faults is that the faults I was born with grow bigger each year. It's like I was raising chickens inside me. The chickens lay eggs and the eggs hatch into other chickens, which then lay eggs. Is this any way to live a life? What with all these faults I've got going, I have to wonder. Sure, I get by. But in the end, that's not the question, is it?
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In a place far away from anyone or anywhere, I drifted off for a moment.
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And her sleep was too long and deep for that:so deep that she left her normal reality behind.
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To be able to talk to your heart’s content about a book you like with someone who feels the same way about it is one of the greatest joys that life can offer.
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But knowing what I don’t want to do doesn’t help me figure out what I do want to do. I could do just about anything if somebody made me. But I don’t have an image of the one thing I really want to do. That’s my problem now. I can’t find the image.
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People lose fifty million skin cells every day. The cells get scraped off and turn into invisible dust, and disappear into the air. Maybe we are nothing but skin cells as far as the world is concerned.