Harvey Keitel Quotes
Well, we are not doing that film actually. At least I am not at the moment, but we are making an effort to get it done; I don't know whether we'll get the financing for it. The old story we had it, it fell out of place and this and that.
Quotes to Explore
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What is freedom of expression? Without the freedom to offend, it ceases to exist.
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My parents did their best - that earns a lot of forgiveness. But they say children grow up in spite of their parents, and I think I did.
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In a play, the director is God, and I'm a great arguer. Rather boringly so, I think, about trying different things.
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It's a tough transition really for theater actors to adjust to television or film, and all of these years later, I still have a tendency to play it too big.
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I love boats. I can be on a boat for days.
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Whatever the right hand findeth to do, the left hand carries a watch on its wrist to show how long it takes to do it.
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There is a luxury in self-reproach. When we blame ourselves we feel no one else has a right to blame us.
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I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.
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I'm always keeping an eye out for a period piece. I was trained in theatre, so most of the things we did were classical - Shakespeare, Moliere, and Chekhov.
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I see so many activists... who are artists because they feel that they have the power of communication.
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I completely agree with feeling the need for or the benefits of being pushed and of being directed on a project and collaborating.
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When something's good, I'm not an over-celebrator.
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I was growing up in the New Wave period, but that wasn't allowed in school. I remember moments when they wouldn't let four people dressed in black stand together on the playground.
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You can live a wonderful life, you can love God with all your heart, and you can love your husband or wife very passionately and have a balance in your life. I live by balance.
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It has something to do with the facts and the law and who the judges are. So I think lawyers sometimes exaggerate their role in winning and losing. Lawyers do have a role, and a major role, but they're not the only players in this game.
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Obviously, 'Lincoln' is not about the telegraph operator. There's a whole other movie before and after the two isolated scenes that I'm in.
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I come from a massive family, and the youngest is twentysomething years younger than I am, so I grew up with children.
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Between the ages of 18 and 20, I made three hour-long films. One was a superhero film called 'Carbolic Soap.' One was a cop film called 'Dead Right.' And the other was called 'A Fistful Of Fingers.'
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When I heard the script of 'Loukyam,' I was laughing, as it was such a laugh riot. So all this made me sign the film.
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It's a little hard to avoid putting both war and politics in, in that they both come into the activity, but on their own. My basic idea is to do a great love film set in the hell of 1942. At that moment, hell was Leningrad. Underneath all this, of course, is a film about dissension between the two most important countries in the world, the United States and the Soviet Union. I think it is a must at this point to talk about cooperation instead of the rancor and hatred and competition between nations.
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On stage, I like to dress up a bit. I'm not scared to be like a character up there.
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So far, 44 States, or 88 percent of the States, have enacted laws providing that marriage shall consist of a union between a man and a woman. Only 75 percent of the States are required to approve a constitutional amendment.
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Well, we are not doing that film actually. At least I am not at the moment, but we are making an effort to get it done; I don't know whether we'll get the financing for it. The old story we had it, it fell out of place and this and that.
