Paul McGann (Paul John McGann) Quotes
Films are artifice. We're telling stories on film. At the same time, when it works, there is a real tough immediacy and spontaneity to it, and a punch.
Quotes to Explore
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I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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Film is anti-language.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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I will only do a Hollywood film when there is something special offered to me.
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The film industry is mostly about unidimensional characters.
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My first film is coming out, and it's in 3D, and it's 'The Hobbit,' so it's a bit weird.
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I make sure that whatever film I do, I enjoy my role.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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When I am not working, I try to watch more than one film a day if I can.
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The international media concentrates on the famous, the big names. Al Jazeera goes to the margins, investigates stories that are still developing and in the future become very big. Why did the Arabic world love Al Jazeera? Everybody felt he was represented in the newsroom and on the screen. That kind of belonging is ours.
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I want to do theatre and film and direct my own things and develop.
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I don't listen to Bollywood music much. But yes, I listen to Indian music quite often, and other non- film music.
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I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
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Let's say there are things about 'G.I. Joe' that you specifically expect and some things that need to be in the film at certain points, whether it be relationships or certain costume aspects.
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I don't really want a film as a present; you can get me a diamond ring.
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It's easy to set a story anywhere if you get a good guidebook and get some basic street names, and some descriptions, but, for me, yes, I am indebted to my travels to India for several of the stories.
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I worked with Lukas Haas a long time ago, when he was younger, and he was wonderful.
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Lena's hair was sticking out in about fifteen directions, and her eyes were all small and puffy from crying. So this was what girls looked like in the morning. I had never seen one, not up close.
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I think [nancy Reagan] was a very controlled and controlling person, because she was so scared all the time and because she had such an inner sense of panic.
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Working to anticipate the future can be a distraction from the important task of dealing with the present.
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Films are artifice. We're telling stories on film. At the same time, when it works, there is a real tough immediacy and spontaneity to it, and a punch.
