Paul McGann (Paul John McGann) Quotes
Films are artifice. We're telling stories on film. At the same time, when it works, there is a real tough immediacy and spontaneity to it, and a punch.
Quotes to Explore
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I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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Film is anti-language.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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I will only do a Hollywood film when there is something special offered to me.
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The film industry is mostly about unidimensional characters.
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My first film is coming out, and it's in 3D, and it's 'The Hobbit,' so it's a bit weird.
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I make sure that whatever film I do, I enjoy my role.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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When I am not working, I try to watch more than one film a day if I can.
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The international media concentrates on the famous, the big names. Al Jazeera goes to the margins, investigates stories that are still developing and in the future become very big. Why did the Arabic world love Al Jazeera? Everybody felt he was represented in the newsroom and on the screen. That kind of belonging is ours.
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I want to do theatre and film and direct my own things and develop.
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I don't listen to Bollywood music much. But yes, I listen to Indian music quite often, and other non- film music.
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I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
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Let's say there are things about 'G.I. Joe' that you specifically expect and some things that need to be in the film at certain points, whether it be relationships or certain costume aspects.
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I don't really want a film as a present; you can get me a diamond ring.
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Directing a film was something I was yearning to do. I always wanted to see if I had the capacity to be a good storyteller.
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For me the journey of making a film is a journey of discovery as to what that film is. I mean what I do is what other artists do, painters, novelists, people that make music, poets, sculptors, you name it. It's about starting out and working with the material and discovering through making, working with the material the artifact.
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Writing does produce a very unique satisfaction. There are times when I'm writing that it's frustrating or appalling or difficult, but when it goes well, it goes really well, and there is a feeling of rightness, like I'm doing the thing I was meant to do, almost in a mystical way, like I'm at an appropriate angle to the world.
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How far that little candle throws its beams! So shines a good deed in a naughty world.
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...life brings you everything at once. You can be in misery because of the misery of your daughter at the same time as you're exhilarated by a new romance, a romance that feels like the first act of a new life.
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Films are artifice. We're telling stories on film. At the same time, when it works, there is a real tough immediacy and spontaneity to it, and a punch.
