Paul McGann (Paul John McGann) Quotes
Films are artifice. We're telling stories on film. At the same time, when it works, there is a real tough immediacy and spontaneity to it, and a punch.

Quotes to Explore
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I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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Film is anti-language.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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I will only do a Hollywood film when there is something special offered to me.
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The film industry is mostly about unidimensional characters.
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My first film is coming out, and it's in 3D, and it's 'The Hobbit,' so it's a bit weird.
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I make sure that whatever film I do, I enjoy my role.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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When I am not working, I try to watch more than one film a day if I can.
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The international media concentrates on the famous, the big names. Al Jazeera goes to the margins, investigates stories that are still developing and in the future become very big. Why did the Arabic world love Al Jazeera? Everybody felt he was represented in the newsroom and on the screen. That kind of belonging is ours.
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I want to do theatre and film and direct my own things and develop.
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I don't listen to Bollywood music much. But yes, I listen to Indian music quite often, and other non- film music.
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I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
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Let's say there are things about 'G.I. Joe' that you specifically expect and some things that need to be in the film at certain points, whether it be relationships or certain costume aspects.
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I don't really want a film as a present; you can get me a diamond ring.
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Every film you do, you always look at it and you think, "I could do better," but I'm never going to tell people what I could do better. I think it's up to them to make up their own mind.
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And one of the three great things in the world is gossip, you know. First there's religion; and then there's science; and there's-and then there's friendly gossip. Those are the three-the three great things.
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When people first started watching UFC, it seemed like a no-holds barred event... early on it looked like all the fighters were crazy. Actually, there are a lot of techniques, and the reality shows have let people see the fighters behind the scenes.
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But you, Achilles,/ There is not a man in the world more blest than you--/ There never has been, never will be one./ Time was, when you were alive, we Argives/ honored you as a god, and now down here, I see/ You Lord it over the dead in all your power./ So grieve no more at dying, great Achilles.’ I reassured the ghost, but he broke out protesting,/ ‘No winning words about death to me, shining Odysseus!/ By god, I’d rather slave on earth for another man--/ Some dirt-poor tenant farmer who scrapes to keep alive—than rule down here over all the breathless dead.
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Photography works hand in glove with image and memory and therefore possesses their notable epidemic power.
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Films are artifice. We're telling stories on film. At the same time, when it works, there is a real tough immediacy and spontaneity to it, and a punch.