Paul Merton Quotes
On my first day in New York a guy asked me if I knew where Central Park was. When I told him I didn't, he said: Do you mind if I mug you here?
Quotes to Explore
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I love playing live, I don't like studios all that much. I need the reaction of the audience.
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I doubt if you can have a truly wild party without liquor.
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I lived in America for a long time before I started working as an actor. Some actors show up on set and have never done an American accent before, so they rely on a slew of technical mechanisms. Part of what makes an accent is understanding why people speak that way - you have to understand the culture.
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There has to be so many other ways of approaching airline security than demeaning ourselves by giving up a lot of our dignities and our liberty to do this.
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I am going to keep having fun every day I have left, because there is no other way of life. You just have to decide whether you are a Tigger or an Eeyore.
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When I decide I want something, I go in like an Exocet missile.
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Wine is something to enjoy. We get sick and tired of people who pick it apart and talk about its 'saucy nuances.'
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The sheriff is at the cash register, and if I don't get a hit soon, I don't know what I'll do.
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Blemishes are hid by night and every fault forgiven; darkness makes any woman fair.
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Indeed, eventually, random outcomes all revert to the mean, meaning that streaks eventually end. Understanding this is a key part of intelligent and rational investing.
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The attitude of the business community towards investment in Austria and Germany has always been positive, as both the countries have earned their reputation as countries with a consistent economic environment.
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When I began writing, I didn't read any other children's poets... I didn't want to be influenced until I'd found my own voice. Now I read them all.
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There is a tendency to try to dumb everything down and turn everything into a one-paragraph press release or even less, just a slogan.
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It has long been apparent that many people in the media don't believe you're competent to make your own decisions.
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As a producer, the most important call you can get is on Saturday morning, when the Friday-night grosses come in. As a director, you want your film to be successful. But your outlook is a bit different. You become very conscious of the reviews.
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I am offered work all the time but not for TV series.
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Ever since I was a kid, whatever situation I was presented with, I always made the most of it.
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The game is just one long conversation, and I'm anticipating that, and I will say things like 'Did you know that?' or 'You're probably wondering why.' I'm really just conversing rather than just doing play-by-play. I never thought of myself as having a style. I don't use key words. And the best thing I do? I shut up.
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How come actors feel like they have to give some kind of personal revelation attached to the project?
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I think the human mind is fascinating. I love figuring out why people are doing what they do.
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My best friend Jerry started a boat-washing business, and it was one of the most critical experiences of my life. I got to meet a lot of people who were entrepreneurs. My parents were schoolteachers, and I was now meeting people who owned companies. I realized that if this guy can do it, why can't I?
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I quite like androgyny.
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It's not the ideal situation to have two directors. It's just not the ideal thing.
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On my first day in New York a guy asked me if I knew where Central Park was. When I told him I didn't, he said: Do you mind if I mug you here?
