Paul Merton Quotes
Quotes to Explore
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That's the problem today: Who is the creator?
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I don't ever want to be sad about my life.
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Modeling gave me an opportunity to be someone I'm not each day.
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My resume, my career, and my legacy in this sport means more to me then collecting some checks.
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Honestly, I just love great performers and people who love what they do.
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I thank you God for this most amazing day, for the leaping greenly spirits of trees, and for the blue dream of sky and for everything which is natural, which is infinite, which is yes.
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I always like to tell a story.
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I think it had something to do with my love of music, especially rock music.
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Eating vegetarian in the past would have been a really bad choice as an athlete. Impossible. Just being able to get the amount of protein in was a mission. You couldn't be picky. I feel quite liberated by the fact that I can now quite recklessly choose vegetarian food.
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His decision to study the law had got him as far as hiring Twelve Angry Men from a video shop.
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I don't want to have to be pretty. I don't want to have to be adorable.
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My character Milly in 'The Boy Who Could Fly' was a very strong part. There were dramatic moments, and there were humorous moments, too. The whole story with Eric Underwood's character was just wonderful, and the messages behind the script were very important to me.
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Part of being an artist is that you want to express yourself to as many people as possible. But you don't want to exclude anyone.
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Literature isn't a moral beauty contest. Its power arises from the authority and audacity with which the impersonation is pulled off; the belief it inspires is what counts.
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The first decade of the twentieth century was not a great time to be born black and poor and female in St. Louis, Missouri, but Vivian Baxter was born black and poor, to black and poor parents. Later she would grow up and be called beautiful. As a grown woman she would be known as the butter-colored lady with the blowback hair.
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Well, usually, when you're doing a sitcom, you get a script and every word or for the most part, is written. So, you know, if it's a 30-minute sitcom, then it's a 35-page script or something like that.
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I saw Redeye, and I love being scared and on the edge of my seat.
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They haul you up there for, you know, week after week in this kind of star chamber proceeding. Then at the end of it they say, well, we found nothing, but now it's time for special counsel.
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I've grown so much since 1996. I think that was the turning point of when I started to go to church every Sunday and not just because you're supposed to. But because you enjoy going and listening to the Word and being excited about it.
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Seasonal flu is now a pandemic that lasts for years and years because you've got so many people that it's jumping back between northern and southern hemispheres and moving itself around the world. By the time it gets back to where it started, it's changed sufficiently so that people are no longer immune.
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I don't flinch from darkness, but I've always been bothered by what I call gore-nography.
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Many a true word hath been spoken in jest.
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'You're Ugly Too' isn't a comedy, but it has a lightness of touch with a hard edge. But it's essentially a warm story tinged with a bit of melancholy in the great Irish tradition. I'm very proud of that film.
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In fact, I don't watch a lot of contemporary comedy for fear of being influenced by it.