Paul O'Grady Quotes
Quotes to Explore
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I didn't get here for my acting... but I love show business.
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It's important that people come see our show, because we are performers. We wanted people to see that.
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I did my first show in second grade. I was a munchkin in 'The Wizard of Oz.'
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Those who insist on the dignity of their office show they have not deserved it.
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I use that as my responsibility on the show, to be the pragmatist.
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'24' is such an iconic show.
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For me, doing a show is great, but I want women to be able to wear the clothes easily as well.
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'Showboat' is the quintessential family show.
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I am inspired by show girls and Vegas. I was a cabaret performer, so that's where all that influence comes from.
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I've always come into a show when the show was already up and running.
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If you look at somebody like Sam Bee, she got to create her own thing without any expectations that there was a show there. That was probably liberating for them.
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When I'm away from the field, I show a little more emotion and stuff.
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Disneyland is a show.
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There is no reason for me to show my collection in New York, because it's not about craft and technique there.
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My first appearance as a guest on The Tonight Show was in '81.
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I often say, if I wasn't part of the show I'd be a huge fan of it.
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It doesn't need to be a number one show, it just needs to be good.
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Ru Paul knew details of the 'Burnett Show' that even surprised me.
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When someone shows you who they are, believe them the first time.
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The radiant sun sends from above ten thousand blessings down, nor is he set so high for show alone.
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Through the history of art we can see through the emotional life, and sometimes the financial security of some of the artists, some transformation. And I really believe that it's generally about the same kind of transformation and the same kind of reaction. We are a little bit less individual than we would like to believe or guess we are.
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We thought it was only in science fiction that things created by humans could actually take over what is inherently our human heritage. But Thom Hartmann shows how we've already let that happen on a frightening scale - not in Frankenstein's monsters or Kubrick's creeping computer Hal - but in the corporations that present their friendly 'faces' to us as if we have nothing to fear from this ultimate usurpation of our rights as real humans.
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I dress up as a middle-aged prostitute and do a game show.
