Ryan Merriman Quotes
I graduated from public high school. I went to the prom. I did it all. But I also worked on 30-million dollar movies with roller coasters and Michelle Pfeiffer. It's been a very interesting and blessed life for sure.
Quotes to Explore
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I think I've had the longest career of strength, focus, and still being able to sell records. I think I'm that guy. I'm still blessed with the opportunity to make music and pass out a message like, 'Life is good,' to the world.
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I like talking one-on-one to everyone. I find it really sort of cathartic and interesting to hear people's opinions.
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I feel very, very blessed.
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Surreal can be exciting and good, and it can be like living inside an alien landscape, and it can be completely interesting, or you can be alienated from your own life - inside your own life, it doesn't feel familiar any more.
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What I find so interesting about people is the choices they make, and how that effects their behavior, their sense of self and their relationships.
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There are a lot of actors who will sit here and talk to you about characters - 'He does this, and she's a really interesting character because she does this.' I'm not like that at all. I'm not an actory actor.
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My childhood and adolescence were filled with visiting scientists from both India and abroad, many of whom would stay with us. A life of science struck me as being both interesting and particularly international in its character.
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Theater is where you go to find out something new that you don't know. It goes through somebody's brain and comes out in a comprehensible way that is beautiful, that's really interesting.
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When you come across someone colorful and vibrant maybe in the present it isn't so interesting, but, in the past, it sheds a wonderful light onto living life.
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As far as acting in films, there is not much out there that is very interesting to do. The ones that are interesting to me are independent films and they have trouble raising money. With people putting their money into blockbusters, there is not much left for the independents.
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Many photographers feel their client is the subject. My client is a woman in Kansas who reads Vogue. I'm trying to intrigue, stimulate, feed her. My responsibility is to the reader. The severe portrait that is not the greatest joy in the world to the subject may be enormously interesting to the reader.
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I'm drawn to melancholy characters. I don't know what that says about me. Characters who are filled with shame. I think shame is interesting.
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It was an interesting question as to whether the BBC had a future in the digital world, and what form of market failure could justify the licence fee system.
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It's like with a girl: it's more fun to meet and slowly, gradually learn things about each other. A little mystery is always nice and it's interesting to still learn new things about someone you are involved with.
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Sometimes even when the book is over I don't know who's good and who's bad. It's really more interesting, I think, to write about gray characters than it is to write about black and white.
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I've personally demanded that tyrants let their people go. I've tried to feed the hungry, clothe the poor, protect the elderly and infirm, and defend the needy from the aggressively greedy. I've led a blessed life. What a kick for a kid from the projects.
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The interesting thing about my character Sylar is that my strengths as an actor seemed to go completely against the shape of a character in the shadow.
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For me it's even more interesting, because my character comes out of the shadow. It's a chance to really act emotionally, because the situation is an extreme one.
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So my humor, I'd say, comes from a mixture of lowbrow comedy shows and highbrow theater. It's an interesting mix.
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It was just like a digital fixation with cards and math and science and then I started to look at images of great magicians from Houdini down the line.
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I love the tour bunks. I can sleep like a baby in those bunks. It really doesn't bother me at all. A lot of people have a difficult time - they're like, 'It's like a coffin.' I get in there and I just pass out. You can't even wake me up.
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I felt alive when I read a script and acted out a scene, or sang a song. It was my dream. I'm just very lucky that I'm still doing it and able to earn a living from it.
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In the U.S., the '50s and '60s marked the documentary's golden age, especially at CBS, where pioneering television journalist Edward R. Murrow, immortalised in George Clooney's 'Good Night, and Good Luck,' produced such landmark investigations as the CBS Reports programme 'Hunger in America.'
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I graduated from public high school. I went to the prom. I did it all. But I also worked on 30-million dollar movies with roller coasters and Michelle Pfeiffer. It's been a very interesting and blessed life for sure.
