Rachel Weisz Quotes
Quotes to Explore
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Not to oversimplify it, somebody once said a good rule of thumb in interpreting a character is to find the good in the bad people that you portray and the bad in the good.
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I get tired of comedies where there are a bunch of funny guys and a beautiful woman who doesn't do anything funny. And I don't like books where there's a rough-and-tumble boy and a really clever, snotty girl. That's just not my experience with teenagers.
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I enjoy the sari. I think it's the sexiest garment ever. It shows you the right amount, it covers the right amount, it's extremely versatile, it suits every body type, it suits every face.
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People tweet before they think, and it becomes obsessive.
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I think that a woman wears so many hats, we have so many aspects to us that we're not just one thing. We represent so much within us and that kind of comes across for me as a designer through mixing prints and colors.
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I think the mental victory is worth it as much as a gold medal.
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Anyone who has ever looked into the glazed eyes of a soldier dying on the battlefield will think hard before starting a war.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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What's better, a poetic intuition or an intellectual work? I think they complement each other.
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Most artists like to think of themselves as rugged individualists, as independent characters.
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Money is always on its way somewhere. What you do with it while it is in your keeping and the direction you send it in say much about you. Your treatment of and respect for money, how you make it, and how you spend it, reflect your character.
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In my mind, every single female character I've written is plus-size.
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I think you only really feel like an outsider if you've been an insider.
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A mate of mine told me recently, 'It's the first time I've seen you work, Worthington.' I thought that was quite funny, but he was right.
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I think anytime you can affect people in general, in a positive way, then you're a lucky individual.
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I enjoy a character who sticks to her guns, who's always challenging herself. That's something I can relate to.
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I think the Matrix effect is over-used and I don't do it anymore.
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I would love to win the Champions League once again. Winning big trophies like the Champions League or the World Cup is usually making people think, 'The players are not hungry any more.' Still, that's not what I feel.
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I always have plans to return to the stage. I leave myself very open. I think what would be more likely is if I did a limited run of something, whether it be a play or a musical.
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I relate to that idea of not necessarily seeking out 'interesting female roles,' but 'this character, this role, who happens to be a woman, is interesting to me, and I relate to it in some way, so I'm just gonna go with my gut and see where it leads me.'
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I'm exchanging molecules every 30 days with the natural world and in a spiritual sense I know I am a part of it and take my photographs from that emotional feeling within me, rather than from an emotional distance as a spectator.
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You don't know when you are immersed in a book what the reaction to it will be, but I feel great about 'The Lake of Dreams.'
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The mother cannot expect her daughter to understand the mysteries of housekeeping without education. She should instruct them patiently, lovingly, and make the work as agreeable as she can by her cheerful countenance and encouraging words of approval. If they fail once, twice, or thrice, censure not.
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I think things are funny when the character is taking it totally seriously.
