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My dad tells me that he took us to a pantomime when I was very, very small - panto being a sort of English phenomenon. There's traditionally a part of the show where they'll invite kids up on the stage to interact with the show. I was too young to remember this, but my dad says that I was running up onstage before they even asked us.
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Oh, it is quite possible that none of us in 'Downton' will ever again get the ratings this has had. But from a career point of view, it has opened so many doors.
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At the age of 11 I was about 6 ft. tall and my voice had completely broken. That caused problems. I was this gangly, spotty, very unattractive kid. I wasn't cool and I wasn't a nerd. I didn't even want to fit in with anyone.
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My dad's family were pretty working class, actually.
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As long as I am given the opportunity to keep performing and keep exploring in whatever medium, I'll be happy. As long as I get to spend time with my family, I'll be happy. As long as I can write in some form, I'll be happy. It is the essential things like that I equate with happiness.
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'Planet Earth' was such an extraordinary series and the 'Making Of'... is fascinating: the creatures and stories behind the camera are just as fascinating as those in front. It's a bit of a dream come true to be a part of the team in some small way.
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I don't think many people get to play big emotions in life.
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The Broadway audiences are very vocal and seem very engaged. For certain shows, especially with a show like 'The Heiress,' the audience's reactions sound like 'The Jerry Springer Show' sometimes. That seems to be a very New York thing. Oh, there's also the entrance round of applause here, which we don't get too much in London.
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I'm sure I wouldn't have been asked to judge the Man Booker if it weren't for 'Downton.'
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It's head and heart. I like to feed both. I always wanted to be an actor. But the cultural-intellectual side of things has always excited me. I wouldn't want to let it go.
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I haven't done as many films as I would have liked.
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But even writing the column for the 'Telegraph,' that idea of working to deadlines, which as an actor that's not something you have to do in the same way. It's excited me into wanting to do a bit more.
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People look at me, they know I've appeared in costume dramas and they automatically assume I must be a Tory, I must be a certain type of person.
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I've had to learn when not to tweet. Like, you learn how to keep your mouth shut? Learn to keep your tweet shut.
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I'm a huge fan of Eighties music.
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All my early school reports from the age of 5 were 'Daniel must learn not to distract others.'
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I'm shocked at being recognized.
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At 13, in my first year of Tonbridge, I went up for the part of Macbeth. I was up against the 17- and 18-year-olds, but for some reason I got the part. It made me incredibly unpopular with my peers, but it was the English and drama teachers who stepped in to save me when others wanted me kicked out of the school.
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When it is good, theatre takes a lot of beating both to watch and perform.
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I want to spend as much time as I can with my family, yet I'm aware of having to bring home the bacon.
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I don't know much about my biological background.
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What was interesting was talking to older gay men about what it was like being gay in the Eighties.
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Books are my weakness.
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I've never been a fan of directors who clutter a piece with all sorts of crazy preconceptions or weird ideas.