Heather Graham Quotes
I admire those people who hold on to their elegance in old age but I'd rather have fun.
Quotes to Explore
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I'm not an anti-capitalist, or anarchist. I want capitalism to work.
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What I'm still grappling with and learning how to do is to be looking and thinking cinematically, having come from television.
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Everyone asks me if I'm the princess or if my brothers beat me up. The younger ones I can deck pretty easily. With the older ones, it's harder.
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Urban residents, most of them middle class, have a much better sense of their environmental rights, and they're willing to take to the streets.
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I've found that you don't need to wear a necktie if you can hit.
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We are rich only through what we give, and poor only through what we refuse.
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Thankfully, it became clear to me that when I compete, I lose my connection to the passion I have for my work.
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Will I miss Gandalf? Well, I don't miss him, because people are constantly coming up to me mentioning him and talking about him, so I don't feel that I've lost contact.
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Of our relation to all creation we can never know anything whatsoever. All is immensity and chaos. But, since all this knowledge of our limitations cannot possibly be of any value to us, it is better to ignore it in our daily conduct of life.
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When a crowd rushes into your house without declaring its intention, it is, by definition, an invasion.
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When I left school at 16, I became an apprentice television and radio technician, and was paid £17 a week, which was decent money in 1976. But the job turned sour when I gave myself an electric shock while repairing a television set.
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When I became a mature woman, I put both feet firmly on the side of maturity.
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No culture can live if it attempts to be exclusive.
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I don't think there's an interesting boundary between philosophy and science. Science is totally beholden to philosophy. There are philosophical assumptions in science and there's no way to get around that.
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I'm definitely post-something.
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I would argue that religion comes from a desire to get to the questions of, 'Where do we come from?' and 'How shall we live?' And I would say I don't need religion to answer those questions.
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One of the things that Ang brings to all of his projects is his deep sense of being a double exile, an outsider's outsider.
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This whole creation is essentially subjective, and the dream is the theater where the dreamer is at once scene, actor, prompter, stage manager, author, audience, and critic.
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I have stage fright every single concert I've ever done. I have at least four or five minutes of it. It's absolute living hell.
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I can just sense some eyes, some people kinda stare a little bit like they recognize me but don't quite know for sure kinda thing.
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My greatest desire as an actor is to keep people guessing and not do anything close to what I did last time.
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The girls in my books are out solving their own problems.
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I admire those people who hold on to their elegance in old age but I'd rather have fun.
