Hector Elizondo Quotes
I started in 1946 in radio. I was ten years old. I was discovered singing in a school play. Someone was in the audience and it's six degrees of separation.
Quotes to Explore
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Lately, I've been doing a lot of tuning in and impatiently tuning out. As a longtime fan of talk radio, I don't think this bodes well for the long-term broad appeal of the medium.
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I had no trouble going from radio to TV - I just thought of TV as radio with pictures.
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Radio is for driving.
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Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.
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I don't own a radio. I listen to everything through apps or on my iPhone. And then I download the shows I like. Shows like 'Fresh Air', 'Radiolab', 'Snap Judgement', all those shows.
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In the 30 years of my career, I have explored all possible mediums, except radio.
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I like to argue with the radio.
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I had two different degrees: One in International Relations/Political Science and another degree in Radio and Television Production.
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I've done a show at the Largo Theater called The 'Thrilling Adventure Hour.' We read, like, radio teleplays. It's a send-up of radio dramas from the '30s and '40s. We just did a Kickstarter for that so that we can do a web series and a concert film.
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Radio interviews are really snappy and I'm just bad at that. I just close down.
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I listen to National Public Radio, which, to me at least, presents the most rounded view of things.
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In the alternate universe of conservative talk radio, the killing of Bin Laden coincidentally happened on Barack Obama's watch. He had to be kicked dragging and screaming into authorizing it, and even then he made lots of mistakes.
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At Johnny's suggestion I pursued a career in radio that eventually brought me to Los Angeles.
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I'm not an artist that has a big, huge radio record that's going to be on BET.
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I'm somebody who doesn't believe in conforming to maybe whatever is on the radio.
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I like doing everything - theater and film, radio and TV, comedy and tragedy. I love it all. And I've never really planned anything - I've always looked at my job in a rather simplistic way. It's like being a plumber. One day you might be fixing an early 20th century showerhead that requires real detailed work. The other day you might just be clearing a sewer. Both jobs are very different, but all the tools come out of the same box. That's the way I look at acting.
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When television came roaring in after the war (World War II) they did a little school survey asking children which they preferred and why - television or radio. And there was this 7-year-old boy who said he preferred radio "because the pictures were better.
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To watch an American on a beach or crowding into a subway, or buying a theater ticket, or sitting at home with his radio on, tells you something about one aspect of the American character: the capacity to withstand a great deal of outside interference, so to speak; a willing acceptance of frenzy which though it's never self-conscious, amounts o a willingness to let other people have and assert their own lively, and even offensive, character. They are a tough race in this.
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If 'Life in Marvelous Times' can't get on the radio, then I don't need to be on the radio.
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I think Delhiites know how to party, but Kolkata has people who know how to celebrate. I think that's the main difference.
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You may sell your work, but not your soul.
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I can't say that I fully relate to things that I play. Sometimes it's nice to spend half the day crying; then you don't have to do it in real life.
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How you know where I'm at when you haven't been where I've been?
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I started in 1946 in radio. I was ten years old. I was discovered singing in a school play. Someone was in the audience and it's six degrees of separation.
