Ruggiero Ricci Quotes
So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.
Quotes to Explore
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Warren and I are friends, but working with him had been difficult.
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I love being in the editing room and playing with tempo and with the rhythm of shots.
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How can you not love a man banging on the drums? He knows how to keep a rhythm.
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Nobody's going to give you everything on a silver tray. It's going to be difficult.
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I suppose I flee to life. I'm most interested when conversations become difficult.
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But since the middle of the century in particular, the music has become very irregular in rhythm.
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I was a pretty difficult teenager.
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I like my country, but I don't think like an Italian. It's a complex, complicated difficult country to make things happen in.
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I find it difficult to attend autopsies. Especially the smells.
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We have more difficult circumstances than most of the Arab countries but in spite of that Syria is stable. Why? Because you have to be very closely linked to the beliefs of the people. This is the core issue.
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I appreciate everything that has been done for me. After a difficult start, I've just followed my dreams.
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Stand-up, I find it really difficult. It's not really my thing.
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I was told it might be quite difficult to conceive, so it really was a great blessing when my pregnancy suddenly happened. I had been diagnosed years ago with polycystic ovarian syndrome, which can affect your fertility - but luckily, in my case, it didn't.
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The transition was difficult. It's hard to stop something that you've enjoyed and that has been very rewarding.
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No data on air propellers was available, but we had always understood that it was not a difficult matter to secure an efficiency of 50% with marine propellers.
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I wasn't trained as a writer-director. And the projects I write are difficult to finish.
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With fame, I'm able to create more. With every success, you have more freedom to create.
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My name, Diana Ross, is my name and nobody should be able to use that for exploitative purposes but me.
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Max [Landis] writes in quite a heightened way, specifically for Dirk. There's a rhythm and a specific speed to it, and it was very easy to learn because it was so well-written. It just rolled off the tongue. There aren't many auditions that I go for, where I feel like I could actually do the part. But with this one, even though I was not quite sure how to pin Dirk down, I thought I could do it.
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It's so difficult, isn't it? To see what's going on when you're in the absolute middle of something? It's only with hindsight we can see things for what they are.
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I started, actually, as an analyst on African affairs, mainly on Al Jazeera. I remember the first few series were about Saudi students, and the negotiations between the government and the Sudanese rebels in the south. And then, slowly, I was speaking about Congo, Democratic Republic of Congo, Zimbabwe, Mozambique and a few other places.
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It was a really strange experience. It was very creative for Alejandro Amenábar. It was almost like it was the most I ever felt like I was helping someone paint. They had a very clear idea of what they wanted it to look like, sound like, be like. So, there was no operating outside the box. The only way to help him was to try to really be a part of his imagination and try to make it happen. He's a super kind and loving person. So, you wanted to help him. It just was none of my normal ways of helping a director work at all. So, it was a unique experience for me that way.
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Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.'
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So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.
