Eudora Welty Quotes
Quotes to Explore
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I've always - honestly - never thought of myself as an independent director.
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Writing is challenging work because it's so easy to get consumed with how it's going, what's going to happen to it, who's going to like or not like it. You want to get all of that stuff out of your head and just let the work flow.
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House was the first film where I had no influence on the script. I had to buy the script with the game rights.
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I don't care whether people like me or dislike me. I'm not on earth to win a popularity contest. I'm here to be the best human being I possibly can be.
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When I talk to people in need, they tell me they want to hope; they are eager for opportunity; they are ready for better days. And I can tell you that every time their hopes are disappointed, all nations lose.
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I'm under five feet; I'm very small, 4'11 1/2.
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I do not believe in populism. I am not a supporter of radical decisions. Practice has shown that usually these are harmful.
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I didn't go to school a lot.
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You're successful if you can get one person to pick it up and put it on the turntable and go, Wow, thanks for writing that!
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Today in India there are all sections of people, as the BJP realized when the poor voted them out.
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Ambition is important. Of course you can't get anywhere without talent, but there are a lot of talented people. To succeed, you have to be the most ambitious talented person.
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It is the quality of the moment, not the number of days, or events, or of actors, that imports.
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I know so many Irish musicians. They're all over, because there has been so much emigration from Ireland. Like the Jews.
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The purpose of education is to make good human beings with skill and expertise... Enlightened human beings can be created by teachers.
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Ever since I was younger, I would make table reads at home where I would give fake interviews.
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The world is put back by the death of every one who has to sacrifice the development of his or her peculiar gifts to conventionality.
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Most well-known serial killers have victims numbering in the dozens, have sent taunting letters to the police or have done bizarre things to the bodies.
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Far too many people, especially within evangelicalism, think that the individual is all that matters, and that the corporate dimension is a distraction or diversion. Of course Christianity is deeply personal for every single Christian; nobody gets lost in the kingdom of God. But you can't play that off against the corporate dimension.
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God doesn't want us to just feel gratitude, but for us to show it by giving thanks to God with our lives.
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Ninety-nine Christians in every hundred are merely playing at Bible study; and therefore ninety-nine Christians in every hundred are mere weaklings, when they might be giants, both in their Christian life and in their service.
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Looking at younger artists, like Varda Caivano and Kerstin Bratsch, I see that their work has something in common that is new to my generation. There's an effort to value the evidence of the hand and the handmade thing while also acknowledging the way in which the making of things with hands has such a complex, alienated place in our culture.
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I had my guitar at the set of 'Lost in Space' every day. I was the only one in the cast who had a stereo in his dressing room. So while I was in school or when I was in there working with Dr. Smith and the robot, half the rest of the cast was in my trailer listening to their records that they would bring.
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The strands are all there; to the memory nothing is ever lost.
