Eugene O'Neill Quotes
Quotes to Explore
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We must do our part to end poverty in Korea so that the next generation doesn't experience what we are going through now.
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It is more important to know how to mix and match the clothes than to spend money.
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I was not so interested in night-after-night coverage of Michael Jackson's death or Britney Spears' latest breakdown - topics that were 'breaking news' at the time.
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I'm drawn to villains that are three-dimensional and raw and that I can kind of see in my own life.
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I'm terrible at horror movies, by the way. I get scared so easily.
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Peter Wagner, my son, just won the Bel-Air Junior Club Championship. Parred the last three holes. One-putts, up and down. Us Wagners don't hit greens. We chip and putt.
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We live in a democracy. We have this extraordinary opportunity to use our mind and say what we think, speak as we think. Sometimes what we say is objectionable to other people. But that is part of a free society.
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One of my school friends' parents owned a minigolf course, and a bunch of us kids would play there all day in the summer. Two-under deuces was a good score.
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When you're 25, it's a little bit easier to be daring, especially if you are a pop star, because eccentric behavior is expected from you.
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Necessity has no law.
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The search is what anyone would undertake if he were not sunk in the everydayness of his own life. To become aware of the possibility of the search is to be onto something. Not to be onto something is to be in despair.
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What you see in 'Daredevil' and 'Jessica Jones' isn't the Hell's Kitchen of today; it's a version of what it was like.
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It's celebrated in British culture to be eccentric.
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I didn't start working on children's books until I got a job at a book warehouse on the children's floor. When I started reading some of the books, I was so impressed.
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To teach a child an instrument without first giving him preparatory training and without developing singing, reading and dictating to the highest level along with the playing is to build upon sand.
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When my agents tell me how much I'm going to be paid for a film, instead of quoting a figure, they'll say: 'You're going to make ten pairs of Christian Louboutins.'
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Every day I'd say I look different. Sometimes I look really formal, sometimes I love the classic Stella McCartney, Chloe Sevigny and Gwyneth Paltrow thing. Other days I like being rock star and wearing leather jackets and studs. I love wearing Burberry - it's the perfect combination of formal and punky.
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Monterey was the Maraschino cherry on top of the Sundae that was the '60s. It was totally unprecedented, and the audience was unprecedented in their joy.
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I was probably never going to get to do the kind of things dramatically that I really wanted to do, so I returned to theater from time to time, and to write, and produce. It's by no means sour grapes.
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Power to the peaceful.
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Nothing comes at all -- never anything. And I cannot accustom myself to that. It is this monotony, this absolute fixity in life, that is the hardest thing for me to endure. I should like to go away from here. Go away? But where and how? I do not know, and I stay.
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I think I've identified as an artist since I was a baby - literally a baby. I made a book of drawings and paintings in pre-school. By the time I got to high school, I was completely enamored with art, doing paintings and portraits at lunchtime. I've been creating in some capacity forever.
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I always try to make films in such a way that it's hard to imagine how they came to be, or where they came from.
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I will be an artist or nothing!
