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After two minutes after this time, and I am already there.
Eugene Ormandy
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Intonation is important, especially when it is cold.
Eugene Ormandy
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It's difficult to remember when you haven't played it before.
Eugene Ormandy
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We do not know when he is coming. He is coming tomorrow.
Eugene Ormandy
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Conductor Eugene Ormandy introduces Warfield to the audience in an unintentionally humorous way: With us tonight is William Warfield, who is with us tonight. He is a wonderful man, and so is his wife.
Eugene Ormandy
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This is one bar you should take home.
Eugene Ormandy
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Start three bars before something.
Eugene Ormandy
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I always feel I do it too slow, but then others do it faster.
Eugene Ormandy
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Let's start at 35 because I don't know where it is.
Eugene Ormandy
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That's the way Stravinsky was. Bup, bup, bup, bup. The poor guy's dead now. Play it legato.
Eugene Ormandy
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Let me explain what I do here. I don't want to confuse you any more than absolutely necessary.
Eugene Ormandy
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He was listening so I don't remember.
Eugene Ormandy
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Death is an awful thing. I don't believe in it myself.
Eugene Ormandy
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Start at B. Yes. No. Yes. No.
Eugene Ormandy
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That was perfect. It was just the opposite from what I said yesterday.
Eugene Ormandy
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Serkin was so sick he almost died for three days.
Eugene Ormandy
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Watch me closely - only one can spoil it.
Eugene Ormandy
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It's hot as hell as can be.
Eugene Ormandy
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There was confusion since I stood here 35 years ago.
Eugene Ormandy
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It's so legato it's difficult to splice. Sibelius was famous for that.
Eugene Ormandy
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Don't think you are looking at me because you are not.
Eugene Ormandy
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More basses, because you are so far away.
Eugene Ormandy
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If you don't have it in your part, leave it out, because there is enough missing already.
Eugene Ormandy
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Even when you are not playing you are holding me back.
Eugene Ormandy
