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It's difficult to remember when you haven't played it before.
Eugene Ormandy -
This is one bar you should take home.
Eugene Ormandy
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There is a number missing. I can see it.
Eugene Ormandy -
Accelerando means in tempo. Don't rush.
Eugene Ormandy -
Conductor Eugene Ormandy introduces Warfield to the audience in an unintentionally humorous way: With us tonight is William Warfield, who is with us tonight. He is a wonderful man, and so is his wife.
Eugene Ormandy -
Start at B. Yes. No. Yes. No.
Eugene Ormandy -
That's the way Stravinsky was. Bup, bup, bup, bup. The poor guy's dead now. Play it legato.
Eugene Ormandy -
Who is sitting in that empty chair?
Eugene Ormandy
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He was listening so I don't remember.
Eugene Ormandy -
More basses, because you are so far away.
Eugene Ormandy -
We have to play it longer because there are no numbers or letters.
Eugene Ormandy -
Serkin was so sick he almost died for three days.
Eugene Ormandy -
It's so legato it's difficult to splice. Sibelius was famous for that.
Eugene Ormandy -
Bizet was a very young man when he composed this symphony, so play it softly.
Eugene Ormandy
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Don't think you are looking at me because you are not.
Eugene Ormandy -
Let me explain what I do here. I don't want to confuse you any more than absolutely necessary.
Eugene Ormandy -
Something went wrong. It was correct when I studied it.
Eugene Ormandy -
Watch me closely - only one can spoil it.
Eugene Ormandy -
If you don't have it in your part, leave it out, because there is enough missing already.
Eugene Ormandy -
Death is an awful thing. I don't believe in it myself.
Eugene Ormandy
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I always feel I do it too slow, but then others do it faster.
Eugene Ormandy -
That was perfect. It was just the opposite from what I said yesterday.
Eugene Ormandy -
Even when you are not playing you are holding me back.
Eugene Ormandy -
There was confusion since I stood here 35 years ago.
Eugene Ormandy