Oliver Goldsmith Quotes
Don't let us make imaginary evils, when you know we have so many real ones to encounter.
Quotes to Explore
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In the mid-1990s, when Russia was undergoing a construction boom, I entered the real estate development market.
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Once you research an idea, you begin to develop a perspective. Writing about anything in public, often in real time, has helped fashion my views.
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People are like, 'What's Game of Thrones about?' I'm like, 'It's in the title.' For real, this is a game for the Iron Throne. No matter what character you are, you're sucked into that at some point.
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You have another little drink, and I'll have another little drink, and maybe we can work up some real family feeling here.
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When you're guest-starring, it's very nice, but you're there very briefly, and it's right there in the name: You're a guest. It's very hard to get a real sense of belonging. With recurring and regular roles, at least you have a sense that this is a home and a steady place.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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My whole thing is to entertain, make people laugh and to forget about the real world for awhile.
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My biggest bits of advice are, write as much as you can, finish what you start, get a thick skin, don't take crap from anyone, but also live your life and have fun. The stereotype of a writer holed up alone all day is really unhelpful. You can't write real people and real emotion if you don't let yourself experience them.
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I like to do comedy. It's my real passion. I want to make people laugh.
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I was very lucky. Things happened, both bad and good, but I never got into real, deep trouble. But it wore me down. By the time I was 18, I was done. I didn't want to live the life any more. I needed to develop past the point that busking takes you to.
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Christmas is not a time nor a season, but a state of mind. To cherish peace and goodwill, to be plenteous in mercy, is to have the real spirit of Christmas.
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You need to feel that the game is important to you. Lose that feeling and you lose your edge. There's no faking that kind of emotion. You can't invent the feeling. It's got to be natural, real.
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We are strong supporters of First Amendment rights, and we believe free speech is a two-way street. While anyone is free to be an anti-Muslim bigot, on campus or off, CAIR is free to challenge their bigotry by speaking out against the promotion of hatred and intolerance.
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The real reason we ended up getting into that type of music was our dad worked for an oil company so we spent a year overseas when we were young kids. Because of that, it was all Spanish TV and radio so we ended up having these '50s and '60s tapes, tapes of that music.
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Real practice means working on stuff you're not good at. Real practice is about butting your head against the wall repeatedly until you get it right.
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I'm awkward at these things. Just being nominated for an Academy Award for Best Supporting Actor for Karate Kid was a real surprise and I was a little uncomfortable.
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No real fairytale scared me, but Freddy Krueger did. 'Nightmare on Elm Street' scared the living hell out of me, but no fairytale. Maybe 'Hansel and Gretel' a little bit when they were walking through the forest and they met the witch. But I liked being scared, I really enjoy being scared.
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Man's real life is happy, chiefly because he is ever expecting that it soon will be so.
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Eli had a great game today; He took what was out there and didn't force anything. He doesn't get real excited; there is more than one way to lead a team … and he showed that today.
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It wasn't until I was at 39 that I joined my first real hockey team. Which was great. I scored a couple of goals here and there, but I wasn't the most graceful thing you've ever seen.
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I was made fun of a lot in high school because of the way I sound and the way I was.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution. I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. 'The Dreamers' was a total homage to cinema and that love for it.
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Liverpool has always made me brave, choice-wise. It was never a city that criticised anyone for taking a chance.
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Don't let us make imaginary evils, when you know we have so many real ones to encounter.
